SKU: 46035572212

COLOURLOCK "Fluid Leather" (Land Rover) — Lederreparaturfarbe für Land Rover

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COLOURLOCK "Fluid Leather" (Land Rover) — Lederreparaturfarbe für Land RoverCOLOURLOCK Fluid Leather fr Land Rover: przise Punktreparatur in der 20 ml Tube Was ist COLOURLOCK Fluid Leather fr Land Rover? Die hochpigmentierte Reparaturfarbe in 20 ml Tube ist ideal fr punktgenaue Schadensbehebung an Land Rover Ledern ohne aufwendiges Sprhequipment. COLOURLOCK Fluid Leather (Land Rover) ist eine flssige, hochpigmentierte Lederreparaturfarbe in 20 ml Tube speziell entwickelt fr die punktgenaue Reparatur kleiner Schadstellen wie

COLOURLOCK Fluid Leather für Land Rover: präzise Punktreparatur in der 20-ml-Tube

Was ist COLOURLOCK Fluid Leather für Land Rover? — Die hochpigmentierte Reparaturfarbe in 20-ml-Tube ist ideal für punktgenaue Schadensbehebung an Land Rover-Ledern — ohne aufwendiges Sprühequipment.


COLOURLOCK Fluid Leather (Land Rover) ist eine flüssige, hochpigmentierte Lederreparaturfarbe in 20-ml-Tube — speziell entwickelt für die punktgenaue Reparatur kleiner Schadstellen wie Risse, Kratzer und Farbabrieb an Land Rover-Lederinterieurs. Die Farbe basiert auf originalen Land Rover-Farbmustern und lässt sich präzise mit Pinsel oder Schwamm auftragen.

  • 20 ml Tube für Punktreparaturen – Präzise dosierbar, kein Sprühequipment nötig.
  • Originale Land Rover-Farbtöne – Werksnahe Pigmentierung für unsichtbare Reparaturen.
  • Hohe Deckkraft – Ein Auftrag reicht meist — auch auf dunklen Ledern.

💡 Praxistipp Detailing1-Werkstatt: Wir nutzen Fluid Leather (Land Rover) in der Werkstatt für Lenkrad-Reparaturen — klassischer 12-Uhr-Abrieb. Eine Tube reicht für 5–8 Lenkradreparaturen. Pinsel mit weichen Borsten, kreuzweise auftupfen, zwischen den Schichten 30 Min trocknen, Top Coat Dull drauf — Ergebnis ist von neu nicht zu unterscheiden.


Schadstelle entfetten, gezielt auftupfen, mit Top Coat versiegeln

Fluid Leather (Land Rover) wird direkt aus der 20-ml-Tube auf einen weichen Pinsel oder Schwamm gegeben und kreuzweise in 1–2 dünnen Schichten auf die Reparaturstelle aufgetupft. Dazwischen 20–30 Min trocknen, am Ende mit Top Coat versiegeln.

Vor der Reparatur wird die Schadstelle mit Lederreiniger gesäubert und mit Plastic Cleaner oder Reinigungsalkohol entfettet. Tiefere Risse werden vorab mit Filler oder Super Filler ausgeglichen und mit 1000er Schleifvlies glatt geschliffen. Die hochpigmentierte Fluid Leather (Land Rover)-Lösung wird dann gezielt auf die vorbereitete Stelle aufgetupft — kreuzweise in dünnen Schichten ist deckender als ein dicker Auftrag.

Nach kompletter Durchtrocknung von etwa 4 Stunden wird mit Top Coat Dull oder Glossy versiegelt, um die Reparatur abriebfest zu machen. Eine 20-ml-Tube reicht für 5–8 Lenkrad-Reparaturen oder etwa 15 punktuelle Riss-Reparaturen. Werkstattkosten pro Reparatur liegen bei rund 10 Euro, eine vollständige Lenkrad-Restauration dauert ca. 3 Stunden inklusive Trocknung.

Punktreparatur ja, große Flächen nein

Fluid Leather (Land Rover) ist die spezielle Lösung für Punktreparaturen — einzelne Risse, Kratzer oder kleinere Abriebspuren bis etwa 5x5 cm. Großflächige Reparaturen brauchen Leather Colour im 250-ml- oder 1-Liter-Gebinde.

Die hohe Pigmentierung und die Tube-Form machen Fluid Leather extrem ergiebig und präzise — selbst auf dunklen Ledern reicht oft eine Schicht für vollflächige Deckung. Bei Reparaturen über 5x5 cm oder ganzen Sitzwangen würde der Tubeninhalt aber nicht reichen, und das Auftupfen von Hand wäre unwirtschaftlich. Wildleder und Velours-Oberflächen brauchen ohnehin Nubuk Fresh (Land Rover), da Fluid Leather die raue Struktur verkleben würde.

Wenn nur 12-Uhr-Lenkrad-Abrieb oder einzelne Risse repariert werden sollen, ist Fluid Leather die wirtschaftlichste und präziseste Wahl. Wenn ganze Sitzgruppen, Lenkräder oder Türverkleidungen restauriert werden, lohnt sich der Wechsel zu Leather Colour (Land Rover) oder dem Complete Repair Set (Land Rover) mit allen Komponenten.

Für Aufbereiter mit einzelnen Schadstellen

Fluid Leather (Land Rover) ist die Werkstatt-Lösung für gezielte Punktreparaturen — Aufbereiter, freie Werkstätten und ambitionierte Halter, die Lenkrad-Abrieb oder einzelne Risse präzise reparieren wollen.

Bei Gebrauchtfahrzeug-Aufbereitungen ist 12-Uhr-Lenkrad-Abrieb der Klassiker. Eine Tube Fluid Leather kostet etwa 67 Euro und reicht für 5–8 Lenkrad-Reparaturen — pro Reparatur sind das Materialkosten von rund 10 Euro. Mit Pinsel und Top Coat liegt der gesamte Reparatur-Aufwand pro Lenkrad bei 3 Stunden inkl. Trocknung. Das Ergebnis ist von einem neuen Lenkrad nach 2 Wochen Nutzung nicht zu unterscheiden.

Für reine Pflege ohne Schadstellen ist Fluid Leather der falsche Weg — dort reicht Leather Fresh (Land Rover). Für komplette Sitzwangen oder ganze Bauteile lohnt sich der Wechsel zu Leather Colour. Wer aber gezielt einzelne Schadstellen mit OEM-Farbtreue reparieren möchte, hat mit der 20-ml-Tube das ergiebigste und präziseste Werkzeug aus dem COLOURLOCK-Sortiment.


Verfügbare Land Rover-Farbtöne (Auswahl)

Parchment Oxford, Sand Oxford Perf., Sand Oxford, Jet Oxford Perf., Tan Windsor, Parchment Blenheim, Charcoal Oxford Perf. 20, Charcoal Oxford, Charcoal Blenheim, Navy Oxford, Almond Taurus, Almond Windsor, Ivory Blenheim, Ivory Oxford Perf., Ivory Premium, Navy Oxforf Perf., Aspen Blenheim, Aspen Oxford Perf., Aspen Oxford, Mid Grey Blenheim, Mid Grey Oxford/Windsor P, Mid Grey Premium, Ebony, Navy Blenheim, Sand Blenheim, Parchment Oxford Perforie, Jet Oxford, Jet Blenheim, Ivory Oxford, Acorn, Vintage, Nimbus, Khaki, Vintan, Ecru, Siena Tan, Pimento, Eclips, Espresso, Brogue, Cirrus, Arabica, Lunar, New Tan, Bordeaux

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SKU: 46035572212

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4.7 ★★★★★
Based on 12 reviews
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Product Reviews
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Verified Purchase
Frank Gino
New York, US
★★★★★ 5
Star Wars embraces fantasy
Format: Paperback
This is Star Wars at its' strangest, and that's a very good thing. Luke and co. fighting through what could easily be Dracula's castle is a truly unique experience. I don't wish to say more for fear of spoilers. As a note though you will get more out of this if you've been following the Star Wars and Dr. Aphra comics. However you can get by without that knowledge as well.
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Reviewed in the United States on October 26, 2017
D
Verified Purchase
Doc Watson
Charlottesville, US
★★★★★ 3
Gothic Star Wars
Format: Paperback
This trade paperback collects all the issues for the Screaming Citadel story spread over several titles, including the main stay Star Wars series and the Dr Aphra book. As one might expect from a story spread over different titles with different artists and writers, the presentation varies. The art is all over the place. In the Marco Checchetto-drawn initial issue, everyone’s favorite amoral artifact hunter, Dr Aphra, is a striking space vixen. But in the following issues she’s hardly recognizable as the same character--mousier, if still menacing, in her trademark Russian tanker’s hat. To a lesser degree, the same is true for the other characters, including the main SW group. It’s understandable, but a bit disconcerting. The story centers on Dr Aphra, who, in need of a Jedi for one of her typically nefarious purposes, recruits Luke into her scheme. Unfortunately for Aphra, she’s up against a more ruthless foe in the harlequin-looking vampire-like Queen of the Screaming Citadel. Before long, the rest of the group has to show up to rescue them. It’s a gothic story, set in scary castle—not the usual Star Wars fare. There are some good points. Dr Aphra’s almost sociopathic outlook is always good for a few choice lines, the “murderous machines” Bee Tee and Triple Zero are on hand for their own gruesome commentary and some of the Queens hench-people, while not given much to do, are interestingly designed. But overall, the horror movies plotline didn’t seem much like Star Wars to me. Recommended for those who enjoy that type of story, or completists.
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Reviewed in the United States on February 27, 2018
P
Verified Purchase
PWDecker
Massapequa, US
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan. There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different. I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!! The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations. The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
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Reviewed in the United States on December 29, 2017
K
Verified Purchase
Kindle Customer
Fort Morgan, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
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Reviewed in the United States on June 23, 2019
R
Verified Purchase
Ryan of the East Coast
Port Orchard, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019

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