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András Szántó. The Future of the MuseumAls in diesem Jahr, 2020, Museen weltweit wegen des neuartigen Coronavirus geschlossen werden mussten, fhrte der in New York lebende Kulturstratege Andrs Sznt Interviews mit einer Reihe von international agierenden Museumsleiter*innen. In einer Zeit, in der wirtschaftliche, politische und kulturelle Vernderungen den Beginn einer neuen ra signalisieren, sprachen die Museumsleute offen ber die historischen Grenzen und das ungenutzte Potenzial ihrer
Als in diesem Jahr, 2020, Museen weltweit wegen des neuartigen Coronavirus geschlossen werden mussten, führte der in New York lebende Kulturstratege András Szántó Interviews mit einer Reihe von international agierenden Museumsleiter*innen. In einer Zeit, in der wirtschaftliche, politische und kulturelle Veränderungen den Beginn einer neuen Ära signalisieren, sprachen die Museumsleute offen über die historischen Grenzen und das ungenutzte Potenzial ihrer Institutionen. Die 28 Dialoge in diesem Buch befassen sich jeweils mit einer eigenen Thematik, die für Kunstinstitutionen heute und morgen von Bedeutung sind. Was aus dieser Gesprächsreihe hervorging, ist ein zusammengesetztes Porträt einer Generation von Museumsdirektor*innen, die daran arbeiten, Institutionen offener, demokratischer, integrativer, experimenteller und erfahrungsorientierter, technologisch versierter und kulturell polyphoner zu machen, die auf die Bedürfnisse ihrer Besucher*innen und Gemeinschaften abgestimmt sind und die sich mit den wichtigen Fragen der sie umgebenden Gesellschaften auseinandersetzen.GESPRÄCHSPARTNER*INNEN: Marion Ackermann (Staatliche Kunstsammlungen Dresden), Cecilia Alemani (The High Line, New York), Anton Belov (Garage Museum of Contemporary Art, Moscow), Meriem Berrada (MACAAL, Marrakesh), Daniel Birnbaum (Acute Art, London), Thomas P. Campbell (Fine Arts Museums of San Francisco), Tania Coen-Uzzielli (Tel Aviv Museum of Art), Rhana Devenport (Art Gallery of South Australia, Adelaide), María Mercedes González (Museo de Arte Moderno de Medellín), Max Hollein (The Metropolitan Museum of Art, New York), Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles), Mami Kataoka (Mori Art Museum, Tokyo), Brian Kennedy (Peabody Essex Museum, Salem), Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town), Sonia Lawson (Palais de Lomé), Adam Levine (Toledo Museum of Art), Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires), Hans Ulrich Obrist (Serpentine Galleries, London), Anne Pasternak (Brooklyn Museum), Adriano Pedrosa (MASP, São Paulo), Suhanya Raffel (M+ Museum, Hong Kong), Axel Rüger (Royal Academy of Arts, London), Katrina Sedgwick (Australian Center for the Moving Image, Melbourne), Franklin Sirmans (Pérez Art Museum Miami), Eugene Tan (National Gallery Singapore & Singapore Art Museum), Philip Tinari (UCCA Center for Contemporary Art, Beijing), Marc-Olivier Wahler (Musée d’Art et d’Histoire, Geneva), and Marie-Cécile Zinsou (Musée de la Fondation Zinsou, Ouidah)
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ANDRÁS SZÁNTÓ (*1964, Budapest), PhD, berät Museen, Kultureinrichtungen und führende Marken in kulturstrategischen Fragen. Als Autor und Herausgeber erschienen seine Schriften in der New York Times, im Artforum, in der Kunstzeitung und vielen anderen Publikationen. Er leitete das National Arts Journalism Program an der Columbia University und das Global Museum Leaders Colloquium am Metropolitan Museum of Art. Szántó, der in Brooklyn lebt, führt seit Anfang der 1990er-Jahre Gespräche mit führenden Vertretern der Kunstwelt, unter anderem als häufiger Moderator der Gesprächsreihe Art Basel Conversations.
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4.2 ★★★★★
Based on 18 reviews
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Product Reviews
★★★★★ 4
I'm a Total Goner
Format: Kindle
🦇 The Fiancée Farce Book Review 🦇
Rating: ⭐⭐⭐⭐
❝ She was a total goner. Whatever magic Tansy was made of, Gemma wanted to drown in it, revel in the honeyed heat burning her up from the inside out. It was better than the finest bourbon she’d ever had the pleasure of sipping. ❞
🦇 After losing her parents and a traumatic romantic experience as a teen, Tansy Adams focuses all her time and energy on her late father's bookstore. To dodge questions about her love life, Tansy invents Gemma, a fake girlfriend inspired by the stunning cover model on a best-selling romance book. She never expected that real-life Gemma would step into her life, play along, and announce they were engaged, imploding that white lie into a full-on farce. Gemma van Dalen, the outcast of her wealthy family, needs a spouse to inherit Van Dalen Publishing; her grandmother's legacy. In exchange for Tansy's hand in marriage, Gemma offers to save Tansy's beloved bookstore before it's sold off. Can their marriage of convenience work, or will Gemma's scheming family get between them?
❝ "As for feeling like you’ve failed, well, failure is an inescapable part of life. But failing doesn’t make you a failure. And I’m sorry your father made you feel like the two were synonymous. You are more than your achievements, Gemma. You are brilliant, and ambitious, and you are good, do you hear me? And what you do or do not achieve in this life has no bearing on your value.” ❞
💜 Oh. My. Goddess. That's right: goddess, because that's exactly what these two cunning, sassy women are. Alexandria Bellefleur has taken the generally predictable "marriage of convenience" trope and turned it into an emotional, powerful story about finding the love you don't realize you deserve. Both Tansy and Gemma are full of so much pain, their family trees full of broken branches (and in Gemma's case, poisonous barbs). For them to find love and family in one another so unexpectedly (for them, at least, because, come on, that's what we're here for), so flawlessly...it's not only swoon-worthy and sweet, but a relief. It's the insane, instant, undeniable chemistry between Tansy and Gemma that empowers their every interaction from the start, but unlike other marriage-of-convenience stories, smut doesn't drive their relationship. What starts off as a business relationship blossoms from a friendship to a true partnership. Gemma is sweet and giving as she navigates her first real relationship, while Tansy comes out of her shell to defend Gemma when no one else has. These goddesses support one another, even when the relationship is only a farce, until it all becomes real. The character development between them both is a flawless example of how empowering love--and having someone by your side--can really be.
🦇 As much as I loved every interaction between Gemma and Tansy, it's difficult to love everything that happens outside of their sweet sapphic bubble. The toxic men--namely Tucker, Gemma's cousin, who manipulated teenage Tansy and shared underage nudes of her--seem unrealistically cruel. Tansy's step-mother goes from a social ladder-climbing step-Bridzilla to suddenly sympathetic. None of the secondary characters have real layers, making them no more than pawns to the story's plot progression. Because of that, none of the conflicts or twists are surprising. The boardroom scene/resolution seemed beyond unrealistic, regardless of how sweet the gesture was. You may need to expand your suspension of disbelief and focus on the sapphic sweetness for this one.
🦇 Recommended for fans of Stars Collide, Cleat Cute, and Love at First Set. This heartwarming sapphic romance is full of feels; a stunning addition to any shelf.
✨ The Vibes ✨
🩷 Fake Dating
🩷 Marriage of Convenience
🩷 Bi MCs (Bi4Bi)
🩷 Sapphic Romance
🩷 Mental Health Rep
🩷 Opposites Attract
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Reviewed in the United States on July 10, 2024
★★★★★ 5
The BANTER 😍
Format: Kindle
Thoroughly enjoyed this book. The perfect witty, banter-laden escape, even if predictable for me, which isn’t even that part of the comfort and fun?
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Reviewed in the United States on August 9, 2025
★★★★★ 3
okay
Format: Kindle
I’m honestly not sure how i finished this book. i considered dnf-ing multiple times due to boredom, and then did that cycle like 5 times??? So here are your stars, i guess.
The plot is bonkers, and somehow was still sooooooo boring to me. Every single twist was painfully obvious, and the chemistry between Tansy and Gemma was saccharine in a very cloying way. The best way i can think to describe this book is having a trope wheel in front of you, spin it 5 times, and write that down.
I didn’t hate my reading experience, but i also didn’t *enjoy* it.
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Reviewed in the United States on June 9, 2024
★★★★★ 5
Another Fantastic Story From Alexandria Bellefleur
Format: Kindle
Love this author so much that I THOUGHT I had pre-ordered this book. Now I'm late to the party, but realizing that this book had been released made my day yesterday. Less than 24 hours later, I've finished the book and I miss it already.
In my opinion, Bellefleur is damn good at writing romances that feel like they could be real. That's not to say they aren't swoonworthy - they definitely are - but she finds the romance in the everyday instead of relying on overly flowery declarations and grand gestures. Okay, fine, there are some grand gestures, but it's the combination with the little things that make her love stories so great.
A couple quick additional things I will say about Bellefleur's writing at this story:
- She stays true to her characters. They change and grow, but they do so in a way that fits them or aligns with the influence of their partner. I also appreciate the fact that her characters don't talk and act the same way from book to book. Each character feels like someone new to get to know.
- The spicy scenes are - *chef's kiss* - practically perfect. A good amount of scenes with a good amount of words dedicated to each without any cringeworthy metaphors.
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Reviewed in the United States on May 2, 2023
★★★★★ 4
Cute!
Format: Kindle
This was really cute but once I got to around 60-70% I felt like the story dragged and it took me much longer to finish this than was necessary. Also idk if it was me, but for some reason the way the characters talked at times reminded me of a Historical Romance novel and it had me ???
Still a good time and I'm glad I read it :)
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Reviewed in the United States on October 9, 2023