SKU: 1235373871

1964: Eyes of the Storm

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1964: Eyes of the StormAuthor: McCartney, Paul United Kingdom, Great Britain Published on 13 June 2023 by Penguin Books Ltd (Allen Lane) in the United Kingdom. Hardback 336 pages 254 x 293 x 32 2122g Photographs and Reflections by Paul McCartney'Millions of eyes were suddenly upon us, creating a picture I will never forget for the rest of my life.'In 2020, an extraordinary trove of nearly a thousand photographs taken by Paul McCartney on a 35mm camera was re discovered in

Author: McCartney, Paul

United Kingdom, Great Britain

Published on 13 June 2023 by Penguin Books Ltd (Allen Lane) in the United Kingdom.

Hardback | 336 pages
254 x 293 x 32 | 2122g

Photographs and Reflections by Paul McCartney'Millions of eyes were suddenly upon us, creating a picture I will never forget for the rest of my life.'In 2020, an extraordinary trove of nearly a thousand photographs taken by Paul McCartney on a 35mm camera was re-discovered in his archive. They intimately record the months towards the end of 1963 and beginning of 1964 when Beatlemania erupted in the UK and, after the band's first visit to the USA, they became the most famous people on the planet. The photographs are McCartney's personal record of this explosive time, when he was, as he puts it, in the 'Eyes of the Storm'.

1964: Eyes of the Storm presents 275 of McCartney's photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers 'what else can you call it - pandemonium' and conveys his impressions of Britain and America in 1964 - the moment when the culture changed and the Sixties really began.

1964: Eyes of the Storm includes:- Six city portfolios - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and a Coda on the later months of 1964 - featuring 275 of Paul McCartney's photographs and his candid reflections on them- A Foreword by Paul McCartney- Beatleland, an Introduction by Harvard historian and New Yorker essayist Jill Lepore- A Preface by Nicholas Cullinan, Director of the National Portrait Gallery, London, and Another Lens, an essay by Senior Curator Rosie Broadley

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SKU: 1235373871

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Compelling - Beautifully done
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I was surprised how much I enjoyed reading this. Ms Beaton has done an amazing job of storytelling. So thankful for the recommendation from John Warner - The “BibliOracle” of the Chicago Tribune. Several male members of my family worked in the Tar Sands projects over the last 30 years - mostly on Oil Exploration and the crew management side. But rumors about the rough environment were confirmed in this book. Reading this explains why one important family marriage failed from the “Wild West” behavior that took place there. As Ms Beaton acknowledged, this work provided important income for those who worked the Tar Sands projects. My family included. But the harm to the First Nations People and the environment are just terribly, horribly sad.
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Reviewed in the United States on December 17, 2022
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Boise, US
★★★★★ 5
A human story of how our society operates
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There's a lot of terms you could use to describe the themes in this book. Capitalism, patriarchy, settler-colonialism, climate change but the book doesn't need to throw these terms around. It just shows them through the eyes of a person who experienced them. There's also a feeling of "there but by the grace of god go I" having been tempted by the possibility of oil work myself during the Great Recession. The story of how our drive for oil eats at our humanity is vital and helps show the cost of how we've structured our society at a personal level. At times funny, heartwarming, and tragic, a fantastically written and drawn work that I have to highly recommend!
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Stuck in Nova
New York, US
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An amazing, if sometimes dark, memoir of work, solitude, and taking a pragmatic path in life.
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What do you do, when your only viable financial prospects are to move to even more remote, cold, dark and desolate land where you are part of a corporate mining operation dredging sands for valuable resources, living onsite in a company owned dormitory? Beaton recalls all this in her memoir of her post-university time, where she was faced with this decision to either live and work the oil sands, or face a life of financial bondage trying to pay back student loans, a decision we see many of her own countrymen face as their only viable means to survive. If you are familiar with Beaton's comic strip work, you'll see familiar reference to the genesis of it here, but Ducks is a far more serious graphic novel. Both engaging and often times bleak, Ducks gives a wonderful window into the reality of Canada's oil industry, and the humanity of the people, who are nothing more than cogs in a machine, that run it.
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I’ve been reading Lynda Barry since the 80s and am currently at work on a graphic novel, that I’m writing and illustrating. I have always believed in learning from the best and Barry has always been a favorite, from the creativity, recall and connections she makes with her work as well as with me (and I assume her other readers as well). This book delves into the connections of words and images, how to conjure and connect, especially with the whole creative vibe. She works with young people and the pipeline to that cerebral communication is appreciated and thought provoking as well, as my work will be geared to a younger audience. This is for anyone who interested in the process of sequential art, creating comics, characters, connecting with creative elements, it’s also a visually stunning book (again, the nerd in me, loved all the cross-references with the visual and other, using calligraphic and other historic, formal art elements along with the more personal character, visual creations and exercises. Thought-provoking and image inducing, indeed!
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Reviewed in the United States on September 2, 2020

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