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Green Spruce Kinder Shorts grün – Basic | Bio-Baumwolle GOTS | WalkiddyArtikelnummer: GS31 346, Artikelname: Green Spruce Shorts, Beschreibung: 95% Cotton (Organic), 5% Elastane, Hersteller: Walkiddy Walkiddy der Name steht fr hochwertige Baby und Kindermode, bei der Nachhaltigkeit an erster Stelle steht. Unser Ziel ist es, Kleidungsstcke zu schaffen, die nicht nur stilvoll und komfortabel sind, sondern auch die Umwelt schonen. Mit der Green Spruce Shorts vereinen wir hchste Standards im Bereich nachhaltiger Produktion
Artikelnummer: GS31-346, Artikelname: Green Spruce - Shorts, Beschreibung: 95% Cotton (Organic), 5% Elastane, Hersteller: Walkiddy Walkiddy - der Name steht für hochwertige Baby- und Kindermode, bei der Nachhaltigkeit an erster Stelle steht. Unser Ziel ist es, Kleidungsstücke zu schaffen, die nicht nur stilvoll und komfortabel sind, sondern auch die Umwelt schonen. Mit der Green Spruce - Shorts vereinen wir höchste Standards im Bereich nachhaltiger Produktion und kindgerechtem Design. Diese Shorts bestehen aus 95% biologischer Baumwolle und 5% Elastan, was sie wunderbar weich und elastisch macht und gleichzeitig unübertroffenen Tragekomfort bietet. Die Shorts sind USB 002729 zertifiziert, was höchste Qualitäts- und Nachhaltigkeitsstandards bestätigt. Entworfen in Deutschland und hergestellt in der Türkei unter fairen Arbeitsbedingungen, gewährleisten wir, dass jede Phase des Produktionsprozesses sozial verantwortungsvoll und umweltgerecht erfolgt. Unsere Prinzipien sind fest in der Verwendung von GOTS-zertifizierter Bio-Baumwolle verankert. Im Gegensatz zu konventionell angebauter Baumwolle benötigt Bio-Baumwolle wesentlich weniger Wasser und keine chemischen Pestizide oder Düngemittel. Das bedeutet, dass unsere Kleidungsstücke frei von schädlichen Rückständen sind und die empfindliche Haut Ihrer Kleinen optimal schützen. Der Global Organic Textile Standard (GOTS) garantiert eine umweltfreundliche und sozial verantwortliche Produktion: Produkte müssen zu mindestens 95% aus biologischen Fasern bestehen und jede Station der Lieferkette wird auditiert. Dies stellt sicher, dass faire Arbeitsbedingungen und gerechte Löhne während des gesamten Produktionsprozesses gewährleistet sind. Die Green Spruce - Shorts von Walkiddy bieten somit nicht nur modischen Stil, sondern auch die Sicherheit, dass sie unter ethischen Bedingungen hergestellt wurden. Unsere Philosophie ist fest in der Überzeugung verankert, dass die Natur und ihre Schönheit eine endlose Quelle der Inspiration bieten. Unsere Designs spiegeln dies wider, indem sie bezaubernde Elemente aus der Natur und faszinierenden Wesen integrieren. Dadurch schaffen wir Kollektionen, die es Kindern ermöglichen, die magische Welt der Natur auf lebendige und kreative Weise zu entdecken. Die Green Spruce - Shorts sind ein perfektes Beispiel für diese Herangehensweise, mit ihrem naturinspirierten Design, das Abenteuer und Kreativität fördert. Die Wichtigkeit von Bio-Baumwolle kann nicht genug betont werden, besonders wenn es um die Gesundheit Ihrer Kinder geht. Konventioneller Baumwollanbau ist für den übermäßigen Einsatz von Pflanzengiften bekannt, mehr als bei jeder anderen landwirtschaftlichen Nutzpflanze. Diese Chemikalien können schädliche Rückstände hinterlassen, die letztendlich in Berührung mit der Haut kommen. Biologische Baumwolle hingegen wird ohne den Einsatz von chemischen Pestiziden und Düngemitteln angebaut, und es sind keine Entlaubungsmittel erlaubt, weshalb die Baumwolle schonend von Hand geerntet wird. Im gesamten Produktionsprozess von Walkiddy werden zudem keine tierischen Produkte verwendet, was zusätzlich zu unserem Engagement für Umwelt- und Tierschutz beiträgt. Indem Sie sich für die Green Spruce - Shorts von Walkiddy entscheiden, wählen Sie nicht nur ein stilvolles und bequemes Kleidungsstück, sondern leisten auch einen Beitrag zu einer nachhaltigeren und faireren Zukunft. Walkiddy steht für ökologisch und sozial verantwortliche Mode, die sowohl sicher für die Haut als auch freundlich zur Umwelt ist. Lassen Sie Ihre Kinder mit Walkiddy die faszinierende Welt der Natur auf zauberhafte Weise entdecken und fördern Sie gleichzeitig nachhaltige Praktiken, die unsere Welt für zukünftige Generationen bewahren. Walkiddy – weil Ihre Kinder nur das Beste verdienen.Shipping Notes
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4.8 ★★★★★
Based on 24 reviews
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★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
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Reviewed in the United States on May 13, 2026
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head.
For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending.
Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog.
Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States.
It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days.
I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen.
This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin.
As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place.
If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others.
If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
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