SKU: 63882043306

Rental, Robert / Wallis, Glenn: Untitled - 12-INCH SINGLE

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Rental, Robert / Wallis, Glenn: Untitled - 12-INCH SINGLETitle: Untitled Artist: Rental, Robert Wallis, Glenn Label: Dark Entries Product Type: 12 INCH SINGLE UPC: 744271373035 Genre: Rock Release Date: 2017 12 15 Number of Discs: 1 "ROBERT RENTAL was the stage name of ROBER DONNACHIE (1952 2000), a British pioneer of post punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met GLENN MICHAEL WALLIS. Glenn was

Title: Untitled
Artist: Rental, Robert / Wallis, Glenn
Label: Dark Entries
Product Type: 12-INCH SINGLE
UPC: 744271373035
Genre: Rock
Release Date: 2017-12-15
Number of Discs: 1

"ROBERT RENTAL was the stage name of ROBER DONNACHIE (1952-2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met GLENN MICHAEL WALLIS. Glenn was recording music with the group HEUTE and leaving to start his solo projects NKVD and KONSTRUKTIVISTS. Both were heavily involved with Throbbing Gristle and the Industrial Records crew. In the Summer of 1979, Robert invited Glenn to his studio in Battersea to jam. Robert on guitar and Glenn on an EDP Wasp synthesizer. For each session that summer they would play for about 40 minutes, maybe longer, stoned. Robert suggested they record it, many times erasing and over recording one session for the next. The music had no titles, as they were never intended to be released. On these recordings, Robert enjoyed playing like Robert Fripp of King Crimson, while Glenn channeled Wolfgang Flur of Kraftwerk. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia, as well as Terry Riley and Brian Eno the duo forged a unqiue brand of Industrial music. Tape loops and synthesizer sounds played backward conjure dark ambient moods. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The LP is housed in a jacket that features a drawing by Robert Rental from Glenn's archives as well as a handwritten note from Robert to Glenn. Each copy includes two photo postcards featuring a transcription of Robert's letter and liner notes from Glenn Wallis.

Tracks:
1.1 Track 1
1.2 Track 2
1.3 Track 3
1.4 Track 4
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SKU: 63882043306

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I was excited to try these as cinnamon is a favorite of mine. I've used the fruit flavored and liked them, but these were problematic for me. First they badly stained my night guard (which I've tried numerous things but can't remove the orange color) and second they caused some mild injury to the mucus membranes of my mouth. I've pitched them and reordered the fruit flavored.
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Belleville, US
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Flavor Name: Cinnamon, Size: 230 Count (Pack of 1)
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Birmingham, US
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Great reference textbook.
Format: Paperback
I love the style of the author's writing for this text. It is not too dense, and they provide humor/ a more personal approach. The way the chapters are divided is great for a quick glance. I like that it provides a section devoted to the techniques of each theory and provides different case examples. I initially went back and forth between renting and purchasing. Ultimately, I'm glad that I purchased it because I think it will be a good quick reference guide.
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Julie B
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Best textbook I've ever read, LOVE GEHART
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I used another Gehart textbook in a different class and I can't say enough how much I love this author. In 6 years of academia I don't think I've actually enjoyed reading a textbook until this. She has a "needs to know" section at the beginning of each chapter so even if I haven't had time to read the entire chapter before when I need to I can read that and have some basis of understanding. She also includes information on the theorists, and even though I always skip that part I know some people really like knowing about that. I think it is INVALUABLE that each chapter also has a sample case conceptualization and treatment plan template. AS WELL AS exploring the implications for each theory of its strength's and limitation's with working with diverse clients. My only very minor complaint is the Questions for Personal Reflection and Class Discussion. For several of the chapters it really seems like this was written by someone who hadn't even read the chapter because there were questions asking about something that was very minor or barely mentioned in the chapter.
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