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Description
Attr. to John O’Brien Inman (1828–1896) — Antique 1864 American Child PortraitAn important mid 19th century American oil on canvas portrait depicting a seated child, dated October 18, 1864 and attributed to John OBrien Inman (18281896). The work embodies the refined sensibility of period portraiture, where technical discipline and emotional subtlety converge. The composition is elegantly arranged, with the child set against a rich drapery backdrop rendered in deep, warm tones that enhance the luminous modeling of the figure.
An important mid-19th century American oil on canvas portrait depicting a seated child, dated October 18, 1864 and attributed to John O’Brien Inman (1828–1896). The work embodies the refined sensibility of period portraiture, where technical discipline and emotional subtlety converge.
The composition is elegantly arranged, with the child set against a rich drapery backdrop rendered in deep, warm tones that enhance the luminous modeling of the figure. The artist demonstrates a confident academic hand—visible in the delicate transitions of flesh tones, the softness of expression, and the controlled handling of light. The direct yet gentle gaze captures a fleeting moment of childhood with remarkable intimacy.
Executed within the tradition of American portrait painting of the mid-19th century, the work reflects the cultural importance of commissioned portraiture as a means of preserving family legacy. The quality of execution, combined with the presence of a fully written inscription on the reverse in a manner consistent with 19th-century hand, strongly supports the attribution.
The painting is presented in an ornate gilt frame that complements its period character. Ready to hang.
📏 Measurements: Framed 41 x 34.5 inches; Painting 30 x 25 inches
🎨 Artist: Attributed to John O’Brien Inman (1828–1896), American School
✍️ Signature: Verso inscription reading “Painted by Jno. O. Inman, Portland, Oct 18th 1864,” executed in period hand
🧾 Condition: Good condition with light age-appropriate surface wear and stable craquelure consistent with age
📦 Shipping: Same day safe packaging from Florida
Please read some interesting information about Artist according to different sources:
John O'Brien Inman is one of the famous American artists who, in the last third of the 19th century, spent a good part of their career in Europe.
John O'Brien Inman (1828-1896) was born in New York City. He was the son of artist Henry Inman (1801-1846) and was one of the founders and first vice-president of the National Academy of Design in New York City. Inman studied under his father, who painted landscapes and miniatures, as well as portraits and genre scenes. After a first exhibition in 1853 at the National Academy of Design, he settled in New York in 1861: he exhibited there at the Brooklyn Artists Association and therefore seemed to specialize in still lifes, with some success apparently. he, since a newspaper reports in November 1862 that "his paintings of fruits and flowers are sold before having left the easel". He nevertheless still produced some portraits or genre scenes, almost exclusively in small formats, and ended up becoming a member of the National Academy of Design in 1865. His studio was then located at 650 Broadway.
The following year, he moved to Europe and opened a studio in Rome. He remained abroad until 1878 when he returned for a while to New York. While in Europe, he executed a number of sentimental genre scenes in local settings. Inman's work is admired for its technical skill and, in the case of his later works, for its reflection of European influences.
In 1866, Inman left for Europe, where he stayed for 12 years and achieved notable success. He divides his time between London, and especially Rome and Paris, where he has two workshops. The Oxford Dictionary of American Art and Artists tells us that the artist made very detailed "historical costumes" at this time. From this European episode, Inman also leaves us some landscapes, for example, a view of Perugia in 1869, the interiors of the Basilica of Saint Francis in Assisi, and a view of Lake Lucerne in Switzerland.
Upon his return to the United States in 1878, Inman produced his most famous painting, a rather exceptionally large format (0.75 x 1.25 m) for, a scene of moonlit ice skating in Central Park in New York. He will then return for some time to England, before returning to settle on the banks of the Hudson River, then to die in great poverty in a sort of hospice.
Museums:
National Gallery of Art of Washington,
Smithsonian Museum of Washington,
Metropolitan Museum,
Museum of the City of New-York,
Princeton University Art Museum,
Brooklyn Museum,
University of Indiana (Eskenazi Museum of Art)
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Please Note
This is an original antique oil painting dated 1864, not a reproduction. The attribution is based on stylistic analysis and the period-consistent inscription on the reverse. Minor wear consistent with age is present and contributes to its historical authenticity.
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4.1 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 3
Not great but not bad!
Format: Audiobook
I loved the audio and I'm so glad there were two narrators!
I really loved the deconstruction rep in this book. It spoke to me in ways that felt real and authentic. I also liked the way the migraine/chronic illness was handled as well.
The reason this is a 3 star to me is that I can't remember the characters names and I just finished this book. The first 50% was pretty forgettable. It was hard for me to get into that first half.
The second half however, I really enjoyed! Courtney and Thea (yes I did just have to look up their names) could have used more fleshing out. Courtney's ex's threats felt like a nothing burger in the end and Courtney's running also didn't hit quite like I wish it had.
The last 50% things finally get moving. These characters finally start sharing with each other and being open and vulnerable but there is still a big secret that get revealed that throws a wrench into the whole thing.
Overall I did enjoy it!
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Reviewed in the United States on March 28, 2026
★★★★★ 5
Four and a half stars for this sapphic romance
Format: Paperback
I’m giving this book four and a half stars. There was a lot I really loved about it. The banter between the main characters is lovely, and there were several scenes that are just adorable. They’re complex characters though with their flaws and histories. They have depth. And how they react in a situation isn’t how you might react, but it’s right for that character. It felt truthful and in many ways relatable. I’ve got enough religious trauma that I can definitely relate, and although I’ve never been a catholic, I have what I think of as catholic guilt…in that I feel guilty for cutting my family out of my life despite the death threats, hateful comments, and constant hit my self esteem and mental health takes. I can even understand hiding physical health issues, because people definitely do treat you differently, also there’s trauma that goes back there too.
I loved the play of the word stars used in the title, and how it fits both main characters so well. It’s super clever.
I know some people were disappointed at this story, and I have to say that it left me going into the book feeling down about it, but instead I really enjoyed it (minus the breakup/not breakup). The ending was incredibly satisfying for me.
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Reviewed in the United States on October 2, 2025
★★★★★ 4
Entertaining
Format: Kindle
At first glance, Andie Burke’s With Stars in Her Eyes might seem like just another lighthearted romance, but it offers far more than shy smiles and meet-cute banter. This is a story built in layers, and readers will relish uncovering each one. Beneath its charm and swoon-worthy chemistry lies a thoughtful, emotionally resonant exploration of identity, vulnerability, and the courage to embrace second chances. Quick-witted, tender, and irresistibly romantic, With Stars in Her Eyes shines with both humor and heart.
The story’s greatest strength lies in its characters, two women shaped by their resilience, history, and courage. Burke writes Courtney and Thea with such empathy that their inner lives feel as vivid as their love story. Courtney, once a celebrated cellist, carries the weight of chronic illness and public disappointment. Despite her setbacks, she’s learning to trust her body—and herself—again. Thea, a piercer and photographer rebuilding her life after burnout, searches for inspiration to reignite her creative spark. When their paths cross, their connection feels less like coincidence and more like fate—two people meeting at the exact moment they’re ready to be seen. Their relationship unfolds as a quiet kind of healing, an emotional duet where each helps the other find her rhythm again. Burke captures that process with tenderness and truth, reminding readers that love isn’t about fixing what’s broken; it’s about growing through the cracks together.
Beyond her skill with character development, Burke proves herself a confident storyteller who knows how to turn tropes, tension, and structure into driving forces rather than predictable shortcuts. She takes these familiar romance conventions and transforms them into genuine sources of momentum and emotional depth. The meet-cute alone—a bearded dragon, a burst of chaos, and instant chemistry—sets the tone perfectly. It’s quirky, funny, and unforgettable. From there, Burke builds in the tension of a secret-identity plot. After her career implodes onstage during a terrifying migraine, Courtney retreats from the public eye to reinvent herself. But her carefully guarded anonymity is at risk, and that fear of being found out adds delicious suspense to her growing connection with Thea, who’s searching for her own sense of belonging.
Dialogue is another strong suit for Burke. The banter between Courtney and Thea feels effortless; it’s quick, clever, and full of unspoken emotion. Each exchange lands with that perfect mix of humor and hesitation, as if the characters are circling truths they’re not quite ready to say aloud. Burke strikes a graceful balance between wit and vulnerability, allowing moments of reflection to surface naturally. Nothing feels staged or heavy-handed; it’s all quietly sincere. Additionally, her prose is lush without being overdone, capturing atmosphere and intimacy in equal measure. Most striking, though, is how Burke understands that love doesn’t erase pain; it reshapes it, softening the edges and showing that healing often unfolds alongside joy.
What really makes With Stars in Her Eyes resonate, though, is its depth of feeling. Burke quietly knits it into the story, not just through the external drama but the quiet, personal battles that define her characters. Courtney’s struggle with chronic illness and the lingering sting of public failure feel heartbreakingly real, and her journey toward self-acceptance is handled with such compassion that it’s impossible not to root for her. Thea’s story, too, carries its own weight; her fight to rekindle her creative spark and believe in herself again mirrors the vulnerability of starting over. When these two women meet, their connection feels like a kind of healing in motion: messy, honest, and profoundly human. Burke finds beauty in that process, showing that love doesn’t make the past disappear but softens it. In the end, it gives both women the courage to move forward and rediscover who they are.
Final remarks…
Ultimately, With Stars in Her Eyes isn’t just a cozy romance; it’s a tale of love, healing, and starting anew. Through her tender yet fresh storytelling, Burke invites readers to find beauty in rediscovering joy after heartbreak. The result is an emotionally rich, deeply satisfying story, perfect for readers who crave meaningful happily ever afters.
Strengths…
Effective use of romance tropes
Storytelling filled with emotional depth and relatability
Well-developed characters
Rich character history
Character chemistry
Engaging tone and style
Smooth pacing
Inclusion of deeper themes
Witty and engaging dialogue
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Reviewed in the United States on October 18, 2025
★★★★★ 5
beautiful story
Format: Kindle
“With Stars in Her Eyes” is a beautiful book. The characters have dealt with and are dealing with some pretty heavy issues, especially Courtney. And for Courtney especially, her past has resulted in some pretty dysfunctional thinking and behavior (quite understandably). However, while the story deals with some heavy topics, there is also a lot of humor, wonder and joy. There are so many things to love about this story — the friendship between Thea and Marshall and between Courtney and Sam; the bookshop “pets” and how they are incorporated into the story; Ms. Jeannie (who is kind of intimidating); the banter between Thea and Courtney, especially all the innuendo (intentional or not); the legal food puns; the joy and appreciation Thea experiences with her photography, especially using the older cameras and techniques she learned from her grandfather; the discussion of the books Thea and Courtney like to read; the descriptive intimate scenes; the book clubs; the lyrics of Courtney’s songs, etc.
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Reviewed in the United States on September 17, 2025
★★★★★ 5
Strong sense of place and character😍
Format: Kindle
Burke really nails emotions. I did not grow up with religious trauma, but reading about Courtney made me feel like I did. I didn't have a family that treated me like the help just because I was following my own path, but reading Thea's POV made me believe I had. It's truly a gift when an author can establish such a strong sense of place and character. I can't wait to see what she does next.😍
4.5🌟
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Reviewed in the United States on September 16, 2025