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Free Jazz Workshop: Inter Frequences - VINYL LPTitle: Inter Frequences Artist: Free Jazz Workshop Label: Souffle Continu Product Type: VINYL LP UPC: 3491570055823 Genre: Jazz Release Date: 2017 10 27 Number of Discs: 1 Souffle Continu Records present the first ever vinyl reissue of Free Jazz Workshop's Inter Frquences, originally released in 1973. The Free Jazz Workshop came into being in 1967 but their first album, Inter Frquences, only appeared in 1973. Unfortunately there is no recorded trace
Title: Inter FrequencesArtist: Free Jazz Workshop
Label: Souffle Continu
Product Type: VINYL LP
UPC: 3491570055823
Genre: Jazz
Release Date: 2017-10-27
Number of Discs: 1
Souffle Continu Records present the first ever vinyl reissue of Free Jazz Workshop's Inter Fréquences, originally released in 1973. The Free Jazz Workshop came into being in 1967 but their first album, Inter Fréquences, only appeared in 1973. Unfortunately there is no recorded trace of the group including the first drummer Pierre Guyon before he was replaced by Christian Rollet in 1970. One of the slogans doing the rounds at the time sets the tone: "Aesthetic liberation is but a prelude to the liberation of humanity." The trajectory of the Free Jazz Workshop (which became the Workshop de Lyon in 1975 with the arrival of clarinetist-saxophonist Louis Sclavis) is emblematic of the emancipation of the mindset of certain French musicians during this period. It has been an exceptionally long-lived trajectory a "half-century" as the members say, during which the group - in Christian Rollet's own words - went from being "an exploratory workshop who claimed to take no account of the musical certitudes of the majority" to becoming something of a classic institution. Right from this first album it is clear that the group would function as a collective with no designated leader. The legacy and influence of American free jazz can be heard throughout: Albert and Don Ayler, or Ornette Coleman and Don Cherry for the horns of Maurice Merle and Jean Mereu; Cecil Taylor for the pianist Patrick Vollat, absent from the group after the second album released in 1975 La Chasse de Shirah Sharibad (FFL 032LP); Gary Peacock and Barre Phillips for the bass; Sunny Murray or Milford Graves for the rhythmic agitation; but also the Art Ensemble Of Chicago for the collective aspect. This lyrical, incandescent album, alongside those released by François Tusques and the Cohelmec Ensemble at the same period, represents one of the high points of free jazz produced by French musicians. Licensed from Bisou. Reverse printing; 12-page booklet; Obi strip; Edition of 700.
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4.2 ★★★★★
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★★★★★ 5
The Best Supplements for Law School
Format: Paperback
These books are worth the money! I know law school books are expensive, but if you're struggling with a certain area of law, forget the price and buy Examples & Explanations. They all come with great practice essay questions and answers, as well as explain concepts in normal-people speak (unlike most law school casebooks).
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Reviewed in the United States on September 19, 2022
★★★★★ 5
Great
Format: Paperback
Great for law school! Perfect condition. Thanks!
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Reviewed in the United States on April 17, 2024
★★★★★ 1
missing pages
Format: Paperback
missing pages
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Reviewed in the United States on February 2, 2026
★★★★★ 3
Not helpful
Format: Paperback
I returned this book without reading much
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Reviewed in the United States on January 19, 2024
★★★★★ 5
Fantabulous!
This is a fantastic and true re-publication of a classic favorite. The illustrations are great (though I wish they were in color), and the type-font and whole format were designed to make this a timeless heirloom, to be passed down the generations. I also learned the correct names of two of the eight reindeer were "Dunder" (not "Donner") and "Blixem" (not "Blitzen"). It shows that Candlewick Press took pains to make sure that what they were republishing was true and accurate to Clement Clark Moore's original work. Note that the name of the illustrator (Matt Tavares) is prominently acknowledged on the cover, though Moore's name is only mentioned in "A Note from the Illustrator", probably owing to the fact that Moore first published his poem anonymously. Still, I'm surprised that "they" did not include Moore's name on the cover. If you are looking to acquire a good, faithful, accurate and wonderfully illustrated version of this classic for your shelves, to be pulled at Christmas-time for reading and re-reading, this would be as good a copy (or perhaps better) than any.
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Reviewed in the United States on January 31, 2010
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