SKU: 88374341146

Jacuzzi PRIMO 1-Handle Freestanding Bathtub Faucet with Hand Shower (Valve Included)

Sale price$390.96 Regular price$434.40
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Description

Jacuzzi PRIMO 1-Handle Freestanding Bathtub Faucet with Hand Shower (Valve Included)Freestanding tub filler with hand shower Sleek, floor mounted tub filler designed for freestanding bathtubs, featuring a single lever handle and integrated hand shower. Durable metal construction with brushed nickel finish delivers modern style and reliable performance. Key Features: Floor Mounted Design: Creates a clean, freestanding look beside your tub Integrated Hand Shower: Convenient rinsing and cleaning with flexible hose Single Lever Control:

Freestanding tub filler with hand shower

Sleek, floor-mounted tub filler designed for freestanding bathtubs, featuring a single lever handle and integrated hand shower. Durable metal construction with brushed nickel finish delivers modern style and reliable performance.


Key Features:

  • Floor-Mounted Design: Creates a clean, freestanding look beside your tub
  • Integrated Hand Shower: Convenient rinsing and cleaning with flexible hose
  • Single-Lever Control: Smooth temperature and flow adjustment
  • Durable Metal Build: Long-lasting construction with brushed nickel finish
  • Certified Performance: IAPMO, cUPC, and ASME compliance for quality assurance

Please check the Product Data Sheet Here


Specifications Table:

Specification Details
Finish Brushed Nickel
Material Metal
Mounting Type Floor-mounted / Freestanding
Handle Type Single lever
Hand Shower Included with flexible hose
Drain Assembly No
Overall Size 12.13" x 8.75" x 43.25"
Height 43.38 in
Certifications IAPMO, cUPC, ASME

Frequently Asked Questions (FAQ):

Q: Is the valve included?
A: Yes, the faucet includes the valve as indicated in the product title.


Q: Does it come with a drain assembly?
A: No, the drain assembly is not included.


Q: What are the overall dimensions?
A: Approximately 12.13" W x 8.75" D x 43.25" H; listed height 43.38".


Q: What material is it made from?
A: Metal construction with a brushed nickel finish.


Q: What certifications does it have?
A: IAPMO, cUPC, and ASME certified.


A sculptural statement for the modern bath

This freestanding filler introduces a refined, architectural silhouette that instantly elevates a spa-like retreat. The brushed nickel arc and slender column feel elegantly tailored, while the integrated hand shower adds purposeful ease. Pair it with a minimalist soaking tub and textured linens to let the metallic glow sing. It’s the luxe essential that marries form and function in everyday rituals.


Elevate your bath with this certified, metal freestanding tub filler—add it to your cart today.

Installation

Shipping Notes
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Exchange/Return Notes
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SKU: 88374341146

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4.3 ★★★★★
Based on 14 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
New York, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Natrona Heights, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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