Barbed Wire Baseball

Barbed Wire BaseballMoss is a skilled author of historical narrative nonfiction for young readers; her tale is both well researched and well told. But its the visually stunning, sensitive illustrations by the hugely talented Shimizu that make the book a standout. New York Times Book Review Author Marissa Moss and illustrator Yuko Shimizus Barbed Wire Baseball is a picture book that movingly tells a true story set in a Japanese American internment camp in World War II.

“Moss is a skilled author of historical narrative nonfiction for young readers; her tale is both well researched and well told. But it’s the visually stunning, sensitive illustrations by the hugely talented Shimizu that make the book a standout.” —New York Times Book Review

Author Marissa Moss and illustrator Yuko Shimizu’s Barbed Wire Baseball is a picture book that movingly tells a true story set in a Japanese American internment camp in World War II.
 
During World War II, Japanese American baseball player Kenichi “Zeni” Zenimura was sent to an internment camp in the Arizona desert. But even behind barbed wire, Zeni refused to give up the game he loved.

With grit, determination, and a deep belief in the power of baseball, he carved a field from the dust and built a team that brought hope and dignity to thousands.

As a young boy, Kenichi Zenimura (Zeni) wanted to be a baseball player, even though everyone told him he was too small. He grew up to become a successful athlete, playing with Babe Ruth and Lou Gehrig.
 
But when the Japanese attacked Pearl Harbor in 1941, Zeni and his family were sent to one of several internment camps established in the U.S. for people of Japanese ancestry.

Zeni brought the game of baseball to the camp, along with a sense of hope, and became known as the “Father of Japanese American Baseball.”
 
A California Book Award Gold Medal Winner
California Reading Association’s Eureka! Nonfiction Children’s Book Awards - Honor
Notable Children’s Books from ALSC
 
“Shimizu’s Japanese brush and ink illustrations, digitally layered with dusty colors suggestive of the arid relocation camp, are a visual feast, from the patterned swirls of battleship steam and desert dust, to the series of depictions of Zenimura in motion, to the rhythmic composition of the female detainees stitching the potato-sack uniforms.” —Bulletin of the Center for Children’s Books