SKU: 52864322768

Focusrite SCARLETT 4i4 Audio Interface - 4th Gen

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Description

Focusrite SCARLETT 4i4 Audio Interface - 4th GenThe multi instrumentalists studio Set up mics for your voice and guitar and plug into 4i4s 4th Generation preamps Scarletts clearest and most detailed ever, with a huge 69dB gain range. Hook up an electric guitar to one of 4i4s hi Z instrument inputs it feels just like an amp. Plug synths and grooveboxes straight into the super high quality line inputs. Connect your favourite outboard gear to the additional line outputs. Scarlett brings Focusrites

The multi-instrumentalist’s studio
Set up mics for your voice and guitar and plug into 4i4’s 4th-Generation preamps – Scarlett’s clearest and most detailed ever, with a huge 69dB gain range. Hook up an electric guitar to one of 4i4’s hi-Z instrument inputs – it feels just like an amp. Plug synths and grooveboxes straight into the super-high-quality line inputs. Connect your favourite outboard gear to the additional line outputs. Scarlett brings Focusrite’s professional sound quality to whatever you’re recording. 

Find your signature sound
For standout lead vocal and instrument tracks, Scarlett’s re-engineered Air mode takes your sound’s unique character and brings it to the front of the mix, adding truly musical presence and rich harmonic drive, just like a classic console in a big money studio. Trust us, you'll never want to record without it.

Let Scarlett set your levels
Scarlett's Dynamic Gain Halos make setting your levels quick and easy with any mic – or just select Auto Gain and let Scarlett do it for you. Hit the button and play for ten seconds, Scarlett will set the perfect level for whatever you’re recording. 

Make every take a keeper
While you’re playing, Clip Safe is all ears. Checking your levels up to 96,000 times a second – more than the best studio engineers – Clip Safe will automatically adjust the gain if you’re at risk of clipping, so you can lose yourself in the music, without losing any takes.

Capture every detail
Hit the red button and you’re recording with 192kHz, 24-bit converters direct from Focusrite’s flagship RedNet interfaces – as found in countless high-end studios around the world. Squeeze every last drop of detail out of your recordings without sacrificing any sound quality.

Now hear this
A custom-designed headphone amp and huge dynamic range set the stage for the best playback you've ever heard from Scarlett. Scarlett drives high impedance headphones louder and clearer than ever before. With 4 line outputs, you can easily connect different monitor setups. 4i4 also has independent controls for your headphones and monitors so you can record, mix and play back audio however you want.

Loopback
Need samples? Make your own with Loopback. Send stereo audio from your music apps and other software straight to your DAW with 4i4’s virtual inputs. You can also use Loopback to mix computer audio into your live streams.

It’s so easy 
Plug in and tell Focusrite’s Easy Start tool how you want to use your Scarlett, and let it guide you through all the software and setup you need, with recording tips and other helpful content along the way. 

Record, mix and master with all the software you’ll need
Once you’ve got started with Pro Tools Artist or Ableton Live Lite recording software (both included), the Hitmaker Expansion bundle has everything you need to bring big studio sound to your songs, with an unbeatable range of record-making studio tools from the biggest names in the business. Get exceptional vocal tracks with Antares® Auto-Tune® Access and Relab’s LX480 Essentials reverb. Then heat up your guitar tones with a hyper-realistic model of Marshall®’s Silver Jubilee 2555 – brought to you by analogue-modelling experts Softube®.  Need drums? No problem - XLN Audio®’s Addictive Drums 2: Studio Rock Kit has beats to get you started and the big sound of a great drum kit. Synths and Keys? You’re well covered with the legendary MASSIVE from Native Instruments and XLN Audio®’s Addictive Keys. And when it’s time to mix and master your tracks, there’s an exclusive suite of Focusrite plugins to quickly get you release-ready sound, and a two-month subscription to Landr Studio.

The original music makers’ interface
More people use Scarlett than any other interface in the world. Join a six million strong community that includes some of the biggest names in music. 

Ready when you are 
Scarlett won’t let you down. Focusrite’s premium build quality, three-year warranty, rock-solid drivers and award-winning 24/7/365 support make sure of it.

FEATURES

4th-Generation mic pres — With a huge 69dB gain range, Focusrite’s 4th-Generation Scarlett mic pre is the clearest and most detailed ever found on a Scarlett. 

Hi-Z instrument and line inputs — Guitars, synths, grooveboxes – 4i4 is ready for whatever you need to connect and record. 

Four line outputs — Connect two different monitor set-ups with independent mixes, or patch your favourite outboard gear and effects into your DAW. 

Huge 120dB dynamic range — Scarlett 4i4 uses the same studio-grade converters as Focusrite’s flagship RedNet interfaces, found in countless high-end studios worldwide. 

Air Mode — Record with all the character of a big studio console. Add high-end presence and rich harmonic drive to vocals and instruments.

Auto Gain — Hit the button and play for ten seconds, Scarlett will set the perfect level for whatever you’re recording.

Clip Safe — Clip Safe automatically adjusts the gain if you’re at risk of clipping, just like having a pro engineer watching your session.

Dynamic Gain Halos — Scarlett’s Dynamic Gain Halos let you easily monitor your input and output signals directly from your hardware. 

Sounds great with any headphones — Powerful, custom-designed headphone amp with independent level control, for loud, clear, and accurate playback and monitoring.

Loopback — Use Scarlett’s virtual inputs to create your own samples, or mix computer audio into your live streams.

Easy Start — It’s never been easier to get recording. Focusrite’s tried-and-tested Easy Start tool will have you set up in minutes.

All the software you need — Includes Ableton Live Lite and Avid Pro Tools Artist, plus the Hitmaker Expansion software bundle with an unbeatable range of record-making studio tools.

Focusrite Control 2 — Control your recording session direct from your PC or Mac.

Three-year Warranty — Keep making music with our 24/7/365 support and three-year warranty.

INCLUDED SOFTWARE

  • Ableton Live LiteThe iconic DAW gives you everything you need to get started including instruments, effects and Live’s trademark clip and scene launching for taking ideas further or performance. 
  • Three Month Avid® Pro Tools® Artist Subscription with Complete Plugin BundleA three-month subscription to Avid Pro Tools Artist and Avid Complete Plugin Bundle, with a 25% discount on Avid Pro Tools Artist after the subscription period, or a 33% discount on Avid Pro Tools Studio.
  • Splice SoundsThree months Splice Sounds membership with new Splice accounts – offering millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily.

Hitmaker Expansion

  • Antares® Auto-Tune® AccessFor everything from natural sounding, near-real-time pitch adjustment for getting the best vocal takes, to lightning-fast Hip-hop-inspired pitching for adding a whole new sound to your tracks.
  • Softube® Marshall® Silver Jubilee 2555The modern evolution of the iconic JCM800, brought to you by analogue-modelling experts Softube®. The Silver Jubilee offers everything from warm cleans, through classic crunch, and up to modern high gain tube amp sounds. 
  • Native Instruments® MASSIVEWant to add some real drama to your track? MASSIVE from Native Instruments® is all about the BIG synth sounds – from huge bass to scorching leads. This high-end engine delivers stunning quality and an expansive universe of sounds to power and inspire your music. If deep-diving into synthesis is not on your radar, there’s over 1300 production-ready that you can use as is, or fine-tune to perfection. 
  • Landr Studio, plus five free mastersProduce and release your best work with two-month’s access to Landr Studio, as well as five free masters you can use even when your two month’s subscription is over. Landr Studio provides everything you need to mix and master your tracks, including unlimited MP3 mastering, and unlimited distribution on streaming platforms such as Spotify, Apple Music, YouTube Music, TikTok, and many more.
  • Brainworx® Bx_console Focusrite SCThe preamps that made Focusrite what we are today to your music. No other plug-in offers the unique character of the iconic large format console, with ISA 110 preamps – the origin of the famous ‘Air’ we still hear on Focusrite interfaces today. Bx_console Focusrite SC is a full channel strip, offering EQ, de-esser, compressor, limiter, gate and expander. 
  • Focusrite Red 2 & 3 Plug-in SuiteFeaturing a pair of meticulously captured digital models of the truly iconic EQ and Compressors which have made the Focusrite name a staple in world-class facilities across the globe. If you’ve kept up with major releases over the last 30 years, you’ve heard Red 2 and 3.
  • XLN Audio® Addictive Keys: Add beautifully captured piano to your tracks with the Studio Grand, based on the iconic Steinway® Model D. Plug in your MIDI controller and play; you’ll be instantly transported to a professional recording studio set up to capture this beautiful piano.
  • XLN Audio® Addictive Drums 2: Studio RockAdd the sounds of a pro drummer to your songs easily. Featuring expertly captured samples from a high-end Tama® and Pearl® drums, and Paiste® and Sabian® cymbals, recorded at Decibel Studios in Stockholm.
  • Relab’s LX480 EssentialsGet four reverbs, modelled on The Hit Factory NYC’s reverb unit, and used on countless hits. LX480 Essentials gives you the sounds of a studio which has played host to names from Springsteen, the Stones and Kool and the Gang, to The Weeknd, Pharell, Katy Perry, and everyone in between.
  • FAST BalancerWhen you want the fast-track to a solid mix, FAST Balancer accelerates the mix process using powerful AI that listens to your instrument or vocal tracks and serves up three selectable options to enhance the track and help them shine in the mix.

IN THE BOX

  • Scarlett 4i4 4th Gen.
  • USB C-C Cable
  • USB C-A Adaptor
  • USB-C 5V 3A Power supply

SPECIFICATIONS

Product Hardware Specifications

  • Number of Microphone Preamps: 2
  • Phantom Power: Yes
  • Instrument Inputs: 2
  • Line Inputs: 4
  • Air Mode: Yes
  • Auto Gain: Yes
  • Clip Safe: Yes
  • Line Outputs: 4
  • Headphone Outputs: 1
  • Loopback: Yes
  • Connectivity: USB Type-C
  • Protocol: USB 2.0
  • Form Factor: Desktop
  • Simultaneous I/O: 6 x 6 (including Loopback inputs)
  • A/D Resolution: 24-bit/192 kHz
  • Bus Powered: Yes (1.5A)

Software Compatibility: Scarlett 4i4 is class compliant so will work with any modern Mac, Windows PC or USB-C iPad.

Power Requirements

  • USB-3.0 Bus power 5V @1.5A 4.5W
  • External power supply (included) - 5V @ 3A
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 52864322768

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4.6 ★★★★★
Based on 15 reviews
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trashcanman
Charlottesville, US
★★★★★ 5
One REALLY bad day.
Format: Hardcover
"The Killing Joke" is widely considered to be the be-all-end-all of Joker stories, so what better way to pay homage to the greatest comic book villain of all time near the eve of his re-unveiling in than by reviewing his definitive story? This is the comic that (sort of) revealed the origin of The Clown Prince of Crime, humanizing him to an extent never before, and truly examined -with pictures rather than words- the antagonistic symbiosis that exists between Joker and his arch nemesis, The Batman. A beloved Gotham regular will never be the same and another will be put through hell before this story is done. Oh, and there are creepy little henchmidgets as well. Gotta love the henchmidgets. The art is outstanding, the storytelling superb, and the character examinations are vital to understanding both combatants. The "one bad day" premise highlights the "two sides of the same coin" argument that Batman and Joker are in fact more alike than dissimilar. As if Bruce Wayne took a right when his arch-nemesis took a left. The controversial ending leaves little doubt as to Alan Moore's take on the debate, and I like it like that. While many critics have strongly resisted both the comparison and the somewhat sympathetic look at The Joker's past, the truth is that every great character -villain or hero- needs that sort of intricacy to their story to remain relevant in the world of modern fiction. Comics are no longer for children and adults realize that the world is seldom black and white, that all monsters were once men, and that unspeakable darkness and insanity resides deep inside each human mind. It can take years of suffering to bring them out or it can take one bad day. One bad day could ruin your very existence and everything you were; it's a frightening reality that cannot be overlooked while reading this comic. The more the reader is willing to ponder the ideas put forth by this story, the more you are likely to appreciate "The Killing Joke". An outstanding achievement in storytelling any way you look at it. I was tempted to knock this down to four stars because with this book you are buying a single issue of a comic for what you could easily pay for a full trade paperback or graphic novel of equal quality like, say, Frank Miller's , which is so good it may very well cure cancer (can you prove it doesn't?). But the fact is no Batman fan should be without "The Killing Joke" and I would rather stick to reviewing based on quality rather than haggling over price. The bonus story at the end (written and illustrated by TKJ artist Brian Bolland) is a killer little mini-comic that serves as a perfect companion piece to the main story and definitely sweetens the pot for those wondering if they should get this hardcover edition. "The Killing Joke" is an absolute mindless must-have for fans of the comic book medium and even more so if you claim to be a follower of The Caped Crusader or his twisted nemesis. End of story.
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Reviewed in the United States on July 14, 2008
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Z. Shinder
Fort Morgan, US
★★★★★ 5
Alan Moore does it again
Format: Hardcover
Batman: The Killing Joke is by far one of the greatest one-shot graphic novels ever written, Moore is fortunate that it was of such caliber as to deserve inclusion in the mainstream Batman canon. The Joker is the single most evil non-superpowered being in the DC universe, and almost nothing is known about who he was before becoming the arch-nemesis of Batman. While curiosity abounds for fans, even more prefer that he maintain this aura of mystery since it is believed that his pre-villain life was not one that would have been considered anything worth writing about; it is because of he IS the Joker that he means anything in the DCU at all. All that aside, Alan Moore - the creative genius behind such works as , , , , and many others - took a chance and in 1988 presented the comic community with what DC has accepted as the official Joker origin story. WARNING: SPOILERS AHEAD The Killing Joke is about madness. The Joker has escaped from Arkham Asylum and is setting about a new and truly evil scheme; unrivaled since he murdered Jason Todd/Robin #2 in . While Batman is frantically trying to track him down, the Joker has purchased a dilapidated carnival (like something you'd expect to find in a 21st century teen slasher flick, but in his hands is decidedly worse) and is now off to secure his "main attraction". Later at the home of Commissioner Gordon, Barbara answers the door to find a sick fixed smile shooting her through her spine, crippling her; after several off-color disabled jokes, Gordon is kidnapped and spirited away to the the Joker's carnival of horrors. (Moore and DC received a hailstorm of praise and criticism for rendering Batgirl a parapellegic, but the decision stuck and arguably many good, if not great, stories came from it.) Gordon regains consciousness to find himself being stripped down by a host of sideshow freaks and lead at the Joker's behest to a House of Horrors ride filled with the Joker's own snap-shots of Barbara fully undressed and in pain and filled with the Joker and his cronies singing a sardonic song about lunacy (GOD I WISH I KNEW THE TUNE!!!); all of this intended to drive Gordon insane. Batman uncovers the Joker's plot and rushes to the carnival to stop him; a chase ensues through a booby-trap-laden house of mirrors in which the Joker states that he's proven his point with Gordon's unquestionable descent into madness: "All it takes is one bad day to reduce the sanest man alive to lunacy!" The joker goes on in his analysis with Batman, stating that he too is crazy, but won't admit it and tries to get him to accept it. The final confrontation between them is left a mystery, but it is clear that the Joker - after decades of campy portrayals - has most definitely re-earned the title of most evil comic book villain. Throughout the story, the Joker offers flashbacks to his life before becoming the monster he is today. He was once a technician at the ACE Chemical Plant who quit his job to become a stand-up comedian. Unfortunately he fails miserably and worries about how he's going to support his very pregnant-in-the-late-trimester wife and soon-to-arrive baby. He decides to make fast, easy money by throwing in his lot with criminals looking to rip off a playing card company next door to the chemical plant and he offers his services to get through unnoticed. So as to protect his own identity, the gangsters present him with his disguise: The Red Hood. While in discussion for the crime, a couple of cops show up to tell him that his wife has died while operating a defunct bottle heater. In his shock, he tries to back out of the crime since he no longer has a reason to go through with it; but the gangsters hold him to it. Later on, they break into the plant, but everything goes wrong as the cops show up and take down the gangsters and that Batman appears to apprehend who he believes to be the Red Hood. Whether he jumped, fell or was pushed is unclear, but the man landed in a vat of chemicals that washed him out of the factory. When he reaches shore and removes his disguise and sees his reflection in a puddle of rainwater, he begins to laugh, turns and reveals himself as the Joker. At the end of this story follows another one from the mini-series called here "An Innocent Guy" about a man - clearly disturbed, making the judgment that if anyone is to truly live a life devoted to good, then they must commit an act of evil to know that that is what they really want. After laying out his basic concept, he arrives at the conclusion that he must kill Batman. He lays out his plan in disturbing detail and closes with the a that after this one act of evil, he can go on to live a thoroughly good life and go to heaven when he dies. Masterfully written by Alan Moore and beautifully illustrated by Brian Bolland, Batman: The Killing Joke is a must have for all comic collectors.
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Reviewed in the United States on November 5, 2009
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Donald Bullard
Massapequa, US
★★★★★ 4
Care and crime
Format: Kindle
I dislike the hype, for a good story. It didn't sweep me away but it made me think. I'll never be certain if I would like it not knowing the source. Still it has soul
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Reviewed in the United States on May 26, 2026
R
Verified Purchase
Ren Andronico
West Palm Beach, US
★★★★★ 5
"There were these two guys in a lunatic asylum..."
Format: Hardcover
...and there names were Tim Burton and Christopher Nolan. These two directors used this classic comic as part of the inspiration for there respective representations of Batman on the silver screen. I fell Nolan's film is not only a over-all better movie but also the one which better captures what is so remarkable about "The Killing Joke"! Let me make one thing perfectly clear: I am by no means an avid fan of comics. I respect the art form but it's very rarely appealed to me. Of the few comics that I've read the only ones I truly enjoyed were all written by Alan Moore: "The Killing Joke", "Watchmen", and "Miracleman #15: Nemesis" (thanks to someone posting all the pages for this rare and AMAZING issue on-line). I have read a bit of Frank Miller's "The Dark Knight Returns" and Moore's "V for Vendetta". Despite some awesome moments I still think about ("A reflection" from TDKR and "This Vicious Cabaret" from VFV), I couldn't keep up with either of them. I own Art Spiegelman's "Maus" but I haven't had a chance to read it yet, though it sounds right up my alley. The reason for this background is that as a guy who's not a huge comic book fan, THIS COMIC RULES!!! With less than 100 pages, Alan Moore does so many things: create a "definitive" (well, as much as can be done for a character who's past is "multiple choice") backstory for the Joker, suggest that Batman and Joker have far more in common than either character realizes, and create a mood of moral decay and uncertainly while not fully giving into that mood (though not enough to cancel it out). But the icing on the cake is how Moore is able to portray the Joker as an unredeemable monster, tormented philosopher, and a tragic human being all at the same time! A lot of Health Ledger's Joker is foreshadowed by Moore's Joker. Of countless standout moments, there are two which deserve praise. The first is the Joker explain his world view to Batman, how life is a "monstrous demented gag". The words are so well-written and powerful, both because of there fundamental bleakness and the fact that the Joker is truly trying to explain his worldview to Batman. Perhaps hoping for some understanding or at least for proof that he's not alone in the madness. If you want to hear the brilliance of these words and the emotion, I recommend going to Youtube and listening to "Mark Hamill- The Killing Joke" by the Youtube user "Pgirts". A nearly spot-on mimicking of Mark Hamill's voice (the voice of the Joker from "Batman: the Animated Series"), music from the movie "Batman Returns" (a second movie made by the first of the "two guys in a lunatic asylum"), and the text combine to create something shocking weight. The second is as fitting as it is shocking. In keeping with the title, this tale of insanity and despair ends on a joke. I won't dare spoil it because it is awesome on so many levels! But what I will do is end this review with the words of Moore's Rorschach from "Watchmen" about his Pagliacci joke: "Good joke. Everybody laugh. Roll on snare drum. Curtains."
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Reviewed in the United States on March 17, 2012
R
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Raymond Reedy
Natrona Heights, US
★★★★★ 5
greatest Batman stories
Format: Hardcover
The Killing Joke is an exceptional piece of literature. Just looking at the cover tells you almost immediately what you're in for (something something, don't judge book by it's cover), but even then it gives so much more. I knew going in that this was highly regarded by many as one of, if not the, greatest Batman stories. This graphic novel is rich with atmosphere and saturated in beautiful imagery. What really sets it apart is how mature and well told the story is. The very first dialogue sets the scene for the whole book: what's going to happen between Batman and the Joker? They've been playing the same game for years and years, but when will it end, and how? Before now, we never had any reason to sympathize with the Joker. The Joker has always been an incredibly interesting and fun character, but the audience didn’t know what drove him, or even what drove him mad. Revealing his backstory is one-shot deal; you either please fans universally or lose all of their faith depending on how the story is told. But The Killing Joke nails it with flying colors. Speaking of colors, The Killing Joke is rife with fantastic images and finely-crafted spectacles. Open it to any page, and you’ll find something iconic or stylistic. Every panel is given such a painstaking attention to detail, and that kind of dedication and consistency is one of the major selling points. These are the images that’ll stick with you well after you put the book down because of how they pop out of the page. When you see that first image of the Joker truly going mad, you feel it. It’s not “oh look the joker is laughing and totally losing his mind, sucks to be him golly gee,” it’s “That’s it! That’s the point of no return! He’s gone and I feel like I was right there next to him!” (Okay that was a little corny, I won’t do that again, promise). And that’s not the only one that sticks out: Joker in a hawaiian t-shirt holding a cocktail, Joker on a throne of baby dolls, Joker looking solemnly at an old broken carnival machine. Now, you might’ve noticed a pattern there. “But where’s Batman?” Y’see, Batman has had thousands of comics, movies, books, and video games dedicated to his story and his experiences. We know his backstory as though it’s mythology. But until now, we didn’t know Joker. Batman even says so in the graphic novel. And now that the Joker’s finally gotten his spotlight, a true telling of his story, there’s no need to go any further. Sure, we could ask for more novels about Joker’s experiences, but this is the only one that needed to be about the Joker. This is the story about how his life got flip-turned upside down (sorry). All the ones after this one, he’s already insane and we don’t learn anything really new. But here we see it all through his eyes. It doesn’t need a sequel. In fact I hope it never gets a sequel. There’s nothing more to tell with this story, especially with how it ends. The Killing Joke is an exceptional piece of literature.
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Reviewed in the United States on September 1, 2017

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