SKU: 68750092168

DPA Microphones DDK4000 Drum Microphone Kit

$3055.50 $3395.00
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Description

DPA Microphones DDK4000 Drum Microphone KitGreat Close Miking for the Live Stage Sound engineers, producers, and musicians looking for a workhorse microphone to capture precise, natural sound from a wide range of instruments will be delighted by the 2012 from DPA, a cardioid condenser mic that's built to survive the rigors of live stage performances, day after day. Designed to be placed close to instruments, the mic can handle peak SPLs up to 156 dB while the smooth, uniform cardioid polar

Great Close Miking for the Live Stage

Sound engineers, producers, and musicians looking for a workhorse microphone to capture precise, natural sound from a wide range of instruments will be delighted by the 2012 from DPA, a cardioid condenser mic that's built to survive the rigors of live stage performances, day after day. Designed to be placed close to instruments, the mic can handle peak SPLs up to 156 dB while the smooth, uniform cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.


A Cardioid Mic Ready for a Variety of Instruments

  • Equally at home in the orchestra pit, on a live stage, or in the studio, the 2012 is a versatile mic that captures detailed, natural sound from numerous sources, including guitars, horns, percussion, and more.
  • The microphone is designed for close-miking and offers a linear frequency response when positioned about 11.8 inches from the source.
  • A flat on-axis frequency response with a light presence boost in the 5 to 12 kHz range provides faithful reproduction of instrumental performances.
  • The 17mm electret-condenser capsule offers an outstanding transient response to deliver rich, expressive sound and can handle peak SPLs up to 156 dB with a 10% THD, allowing you to use it on loud sources, including snare drums as well as electric guitar and bass cabinets.
  • The uniform cardioid polar pattern focuses audio capture in front of the mic and ensures that any bleed from other instruments is a truly accurate reflection of the original sound.

Durable, Performance-Ready Build Quality

  • Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
  • The 2012 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
  • The compact size makes it easier to optimally place the mic, even on cramped stages packed with equipment.
  • The included professional-quality holder provides a firm grip to keep the mic in place.
  • Connect the standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.

DPA Microphones ST2015 Compact Wide-Cardioid Condenser Microphone (Stereo Pair)


Two Overhead Mics for Ambient Pickup on the Live Stage
The ST2015 from DPA provides sound engineers, producers, and musicians with a stereo pair of versatile wide-cardioid condenser microphones well suited for use on a variety of instruments and built to withstand the rigors of live stage performances. With its ability to handle SPLs up to 147 dB, the 2015 mic can be placed close to instruments when needed or further away to capture more ambient sound. The smooth, uniform wide-cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.

A Wide-Cardioid Stereo Pair Ready for a Variety of Instruments


  • Equally at home in the orchestra pit, on a live stage, or in the studio, the 2015 is a versatile mic you can use to capture detailed, natural sound from a wide range of instruments, including grand pianos, horn groups, vibraphones, marimbas, xylophones, and other large instruments; it's also an excellent choice for drum overheads.
  • Recording with a stereo pair in an A/B or X/Y configuration provides many good mix options, especially for overhead, ambient, and ensemble recordings.
  • The stereo pairs for DPA's 2000 series pencil microphones are selected with ±1.5 dB sensitivity tolerance.
  • The microphone offers a linear frequency response when positioned about 11.8 inches from the source.
  • A flat on-axis frequency response with a light presence boost in the 5 to 15 kHz range provides faithful reproduction of instrumental performances.
  • The 17mm electret-condenser capsule delivers rich, expressive sound and can handle SPLs up to 147 dB and peak SPLs up to 153 dB with a 10% THD, allowing you to use it on loud sources.
  • The uniform wide-cardioid polar pattern provides 3 dB of attenuation at 90° and 6 dB of attenuation at 135°. This pattern ensures performance that is similar to an omnidirectional microphone from the front, but from the back, it exhibits performance similar to a cardioid mic.
  • The uniform off-axis response ensures that any bleed from other instruments is a truly accurate reflection of the original sound.

Durable, Performance-Ready Build Quality

 

  • Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
  • The 2015 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
  • The compact size makes it easier to optimally place the mics, even on cramped stages packed with equipment.
  • The included professional quality holders provide a firm grip to keep the mics in place; foam windscreens are also supplied.
  • Connect each mic's standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.
DPA Microphones 4055 Kick Drum Microphone with Holder

Capture the full, rich sound of your kick drum accurately with the 4055 Kick Drum Microphone from DPA. Unlike other bass drum mics that are tailored to emphasize certain frequencies for specific genres, the 4055 aims for a more linear response with only a subtle 6 dB boost in the 10 kHz range. This more sonically neutral approach captures the true sound of the drum, letting you add your own EQ, if necessary, to work within the context of your mix.

The package includes the UA0961 microphone holder, and the asymmetrical design makes it easy to place the mic inside or outside of the kick drum. Slide the mic into the bass drum for more attack or place it just outside the hole for maximum subs and bottom-end. The linear on- and off-axis response provide a round yet tight sound with extended low end and detailed mid and high frequencies. Robust housing protects the mic from even the most aggressive performers, while wind-damping foam behind the capsule protects the microphone element and keeps excess air noise in check.

At a Glance
  • Picks up the clear, true sound of the kick drum
  • Flat frequency response, so you can shape the sound your way
  • Built tough to withstand rough use on the live stage
  • Asymmetric design for easy placement inside or outside the kick drum
  • Open cardioid pickup pattern
  • 40 Hz to 18 kHz effective frequency range with 6 dB soft boost at 10 kHz
  • 132 dB dynamic range
  • 164 dB maximum input SPL (at 10% THD)
  • Requires 48V phantom power

DPA Microphones Core 4099 Instrument Microphone, Extreme SPL, with Clip for Drum

The Core 4099 Instrument Microphone, Extreme SPL, with Clip for Drum from DPA is designed to capture audio from your instrument for live sound and recording applications. The clip for drum mount can be adjusted by one hand and is optimized to attach itself gently to your instrument to prevent damage and marks.

The Core 4099 has a pre-polarized condenser capsule with a supercardioid polar pattern. Its gooseneck allows for a variety of positioning possibilities. The microphone terminates with a 5.5" gooseneck and a MicroDot connector. It includes a cable and an XLR adapter providing compatibility with mixers and sound reinforcement systems.

  • Core by DPA technology inside
  • Supercardioid condenser microphone
  • Handles high SPLs
  • Superior gain-before-feedback
  • Flexible and easy mounting
  • Gentle and easy to mount on the instrument
  • Detachable cable and a versatile gooseneck extender

DPA Microphones 2012 Compact Cardioid Condenser Microphone Specs

Microphone
Form Factor Stand/Boom Mount
Intended Sound Sources Acoustic Guitar, Electric Guitar, Drums, Percussion, Snare, Cymbals, Instrument, Horns
Sound Field Mono
Operating Principle Pressure Gradient
Capsule 1 x Electret Condenser
Diaphragm 0.7" / 17 mm
Polar Pattern Cardioid
Pad None
High-Pass Filter None
Tone Adjustment None
Gain Adjustment None
Indicators None
On-Board Controls None
Windscreen Foam (Included)
Performance
Frequency Range 40 Hz to 20 kHz (at 11.8" / 30 cm)
Maximum SPL 148 dB SPL RMS (1% THD)
151 dB SPL Peak (1% THD)
153 dB SPL RMS (10% THD)
156 dB SPL Peak (10% THD)
Impedance 60 Ohms
Load Impedance 2 Kilohms
Sensitivity -42 dB (1 kHz)
Output Level 21 dBu (Max)
Dynamic Range 131 dB (Typical)
Equivalent Noise Level 20 dB A-Weighted
CMRR 60 dB
Connectivity
Headphone Connector None
Power
Operating Voltage 48 V
Operating Current Consumption 0.7 mA
Physical
Color Black
Mounting Mic Clip/Stand Adapter (Included)
Included Case Zipper Pouch
Included Filters None
Operating Temperature -40 to 113°F / -40 to 45°C
Operating Humidity 90%
Dimensions ø: 0.7 x L: 3.7" / ø: 19 x L: 94 mm
Weight 2.9 oz / 83 g
Packaging Info
Package Weight 0.525 lb
Box Dimensions (LxWxH) 9.2 x 5.4 x 1.6"

DPA Microphones ST2015 Compact Wide-Cardioid Condenser Microphone (Stereo Pair) Specs

Microphone
Form Factor Stand/Boom Mount
Intended Sound Sources Piano, Drums, Percussion, Overhead, Instrument, Horns, Brass, Room Ambiance
Sound Field Mono
Operating Principle Pressure Gradient
Capsule 1 x Electret Condenser
Diaphragm 0.7" / 17 mm
Polar Pattern Subcardioid/Wide Cardioid
Pad None
High-Pass Filter None
Tone Adjustment None
Gain Adjustment None
Indicators None
On-Board Controls None
Windscreen Foam (Included)
Performance
Frequency Range 40 Hz to 18 kHz (at 11.8" / 30 cm)
Maximum SPL 147 dB SPL RMS (1% THD)
150 dB SPL Peak (1% THD)
150 dB SPL RMS (10% THD)
153 dB SPL Peak (10% THD)
Impedance 60 Ohms
Load Impedance 2 Kilohms
Sensitivity -37 dB (1 kHz)
Output Level 21 dBu (Max)
Dynamic Range 132 dB (Typical)
Equivalent Noise Level 18 dB A-Weighted
CMRR 60 dB
Connectivity
Headphone Connector None
Power
Operating Voltage 48 V
Operating Current Consumption 0.7 mA
Physical
Color Black
Mounting Mic Clip/Stand Adapter (Included)
Included Case Zipper Pouch
Included Filters None
Operating Temperature -40 to 113°F / -40 to 45°C
Operating Humidity 90%
Dimensions ø: 0.7 x L: 3.7" / ø: 19 x L: 94 mm
Weight 2.9 oz / 83 g
Packaging Info
Package Weight 1.29 lb
Box Dimensions (LxWxH) 10.4 x 6.2 x 2"

DPA Microphones 4055 Kick Drum Microphone With Holder Specs

Microphone
Form Factor Stand/Boom Mount
Intended Sound Sources Kick Drum
Sound Field Mono
Operating Principle Pressure Gradient
Capsule 1 x Electret Condenser
Polar Pattern Open Cardioid
Pad None
High-Pass Filter None
Tone Adjustment None
Gain Adjustment None
Indicators None
Windscreen Built-In, Foam
Performance
Frequency Range 40 Hz to 18 kHz
Maximum SPL 164 dB SPL
Impedance 380 Ohms
Load Impedance 2 Kilohms
Sensitivity -54 dB
Dynamic Range 132 dB (Typical)
Equivalent Noise Level 39 dB (Typical)
THD < 1%
CMRR 55 dB
Connectivity
Headphone Connector None
Power
Operating Voltage 48 V (Phantom Power)
Operating Current Consumption 2 mA
Physical
Color Black
Mounting Mic Clip/Stand Adapter (Included)
Mounting Thread Size Not Specified by Manufacturer
Included Case Zipper Pouch
Included Filters None
Operating Temperature -40 to 113°F / -40 to 45°C
Operating Humidity 90%
Dimensions ø: 2.2 x L: 5.2" / ø: 57 x L: 132 mm
Weight 8.5 oz / 241 g
Packaging Info
Package Weight 1.385 lb
Box Dimensions (LxWxH) 9.5 x 5.7 x 2.7"

DPA Microphones Core 4099 Instrument Microphone, Extreme SPL, With Clip For Drum Specs

Microphone
Form Factor Gooseneck
Operating Principle Pressure Gradient
Capsule Electret Condenser
Polar Pattern Supercardioid
Performance
Frequency Range 20 Hz to 20 kHz ±2 dB (at 7.9" / 20 cm) 
Maximum SPL 152 dB SPL
Impedance 35 Ohms ± 14%
Sensitivity 2 mV/Pa
-54 dBV/Pa
Dynamic Range 109 dB
Signal-to-Noise Ratio 66 dB A-Weighted (1 kHz, at 1 Pa/94 dB SPL)
Equivalent Noise Level 28 dB A-Weighted (20 μPa, Typical)
31 dB A-Weighted (20 μPa, Max)
THD < 1% 
CMRR 60 dB
Connectivity
Analog Output 1 x Microdot
Cable Length 5.9' / 1.8 m
Power
Operating Voltage 5 to 50 V
Operating Current Consumption 1.5 mA
Physical
Operating Temperature -40 to 113°F / -40 to 45°C
Operating Humidity 0 to 90%
Dimensions ø: 0.21 x L: 1.8" / ø: 5.4 x L: 45 mm (Microphone)
L: 5.5" / L: 140 mm (Gooseneck)
Weight 0.95 oz / 27 g
Packaging Info
Package Weight 1.065 lb
Box Dimensions (LxWxH) 10 x 5.11 x 3"
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 68750092168

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TexasGigi
Lexington, US
★★★★★ 5
Wow! So moisturizing!
OMGosh, this feels so good on your lips! I just got this today so I’ll have to update if the moisture doesn’t last. But so far it feels nice. I did have a slight issue with it melting onto itself in the one day it took to get to me. See photos. The tube itself was slightly concave because of the melting. But is still intact. So far though I love this stuff!
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Reviewed in the United States on May 8, 2026
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KS
Draper, US
★★★★★ 5
Pretty good stuff
Not a miracle cream, but I've certainly paid more for worse lip balm. The tallow is helping keep my lips hydrated, and it feels great when applied. Just got Invisalign, and I struggle with hydration normally, but this is helping keep the lips soft and smooth, and is miles ahead of the cheap drugstore brands that dry more than they help.
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Reviewed in the United States on April 13, 2026
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Small Town Girl
West Palm Beach, US
★★★★★ 4
Worth a try, I guess.
Picked up this beef tallow lip balm for my husband. We had the worst winter and everything was so dry. He is used to using the waxy sticks you buy at the big box stores to treat his dry lips. He has been using tallow and I noticed this lip balm and thought he might like it. The stick is quite big. Thicker than the normal waxy stick you might buy at the store. In line with some of the larger sticks I have seen in the stores by some of the men's lines that are out there. He used it often and found it to work well. Did it work better than some of the waxy sticks from the store, he didn't think so but it was on par with those. He does like that it is natural. He told me that he would apply it and his lips would feel good and it would last for a while and just like any other product he would try, his lips would be dry again after a while. I would say that generally, it sounds like an average product but it's natural. Worth a try, I guess!
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Reviewed in the United States on May 26, 2026
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Kendall
Louisville, US
★★★★★ 3
Has multipurpose
Very oil based. Makes me smell like a pot roast after application. Works well for under eye cream
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Reviewed in the United States on June 1, 2026
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Bryon G. Vance
Omaha, US
★★★★★ 5
Good stuff. I like the bigger tube.
Good stuff. I like the bigger tube.
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Reviewed in the United States on May 25, 2026

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