SKU: 72813178905

LP - Lambrini Girls - Who Let The Dogs Out (Limited Slutcore Version For Kids Who Can't Read Good)

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LP - Lambrini Girls - Who Let The Dogs Out (Limited Slutcore Version For Kids Who Can't Read Good)1LP Now, Who Let The Dogs Out returns in a very special end of year edition. But this isnt one of those overpriced deluxe versions quite the opposite. Its a stripped back, black and white, DIY, down to earth punk rock version, complete with alternative artwork by none other than fellow legend, visual artist David Shrigley. Who Let The Dogs Out is the debut album from Brighton based noise punk duo Lambrini Girls. Released January 10th 2025 and recorded

1LP  

Now, Who Let The Dogs Out returns in a very special end-of-year edition. But this isn’t one of those overpriced deluxe versions — quite the opposite. It’s a stripped-back, black-and-white, DIY, down-to-earth punk rock version, complete with alternative artwork by none other than fellow legend, visual artist David Shrigley.

“Who Let The Dogs Out” is the debut album from Brighton based noise-punk duo Lambrini Girls. Released January 10th 2025 and recorded with Gilla Band’s Daniel Fox with mixing by Seth Manchester (Mdou Moctar / Battles / Model/Actriz), “Who Let The Dogs Out” bottles everything wrong with the modern world and shakes it up. If peppering political songs with humour is like sticking a sparkler in some bread, then “Who Let The Dogs Out” is like a fireworks display in the factory itself: strange, dangerous, exciting.

The album rips through a laundry list of social ills. Sirens blare over a heavy distorted bass and a live drum breakbeat. The band dance between upbeat pop punk, dirty grunge tones and discordant post-punk. There’s even some noise-pop cheer for putting yourself first, whether it’s having an autistic meltdown or doing a poo at your mate’s house.

With instrumentals that inhale you like a Level 5 tornado and sentiments that make you want to kick the nearest door through, it’s a take-no-prisoners debut from one of the UK’s most fun and fearless bands.

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SKU: 72813178905

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Doug Fitzpatrick
Fort Morgan, US
★★★★★ 5
Quality filter.
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I have been using these filters for years on my Grand Caravan. Wait till they go on sale and stock up on them.
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Reviewed in the United States on May 17, 2026
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Gregg Smith
Port Orchard, US
★★★★★ 4
Good OEM replacement, but check the contents
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This filter was perfect for my 2020 ram 1500, however I had to get a replacement because the gasket was not included in the box as delivered. I contacted the seller and they replaced it within two days. The replacement unit had both the filter, and the gasket in the box it should've been.
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Reviewed in the United States on June 27, 2025
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pullitmans
West Palm Beach, US
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Good price
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Just as described, good price.
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Potato
Carnegie, US
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Royce Green
Alexandria, US
★★★★★ 5
Exposing the Roots of Christian Nationalism
Format: eTextbook
Kevin M. Kruse’s One Nation Under God: How Corporate America Invented Christian America dismantles the enduring myth that the United States was founded as a “Christian nation.” Instead, Kruse demonstrates how this identity was deliberately constructed in the mid‑20th century as a political strategy. Beginning in the 1930s, business leaders alarmed by Franklin D. Roosevelt’s New Deal sought to counter what they perceived as government “slavery.” To resist these reforms, they partnered with clergy and promoted the idea of “freedom under God,” blending economic resistance with religious appeal. This alliance reached its zenith during Dwight Eisenhower’s presidency. Eisenhower expanded religion’s role in public life, inaugurating the National Prayer Breakfast, adding “under God” to the Pledge of Allegiance, and making “In God We Trust” the official national motto. These initiatives reshaped American identity, fueling a surge in church membership and embedding religious language into civic rituals. The phrase “one nation under God” became a widely accepted marker of patriotism, crossing political and denominational lines. Kruse’s central argument is that Christian nationalism was not inherited from the Founders but deliberately cultivated by corporate and political interests in the 20th century. By exposing its origins, he reveals how this “invented tradition” continues to shape and divide American politics today. C.S. Lewis, in The Screwtape Letters, anticipated this danger with remarkable clarity. He warned that the gravest temptation is not outright disbelief but the subtle corruption of faith—when Christianity is treated as a means to another end rather than as an end in itself. Lewis’s insight resonates with Kruse’s account: both show how faith can be co‑opted when believers confuse God’s kingdom with Caesar’s. History is important, but it is equally important that we do not allow bad history to repeat—or even to rhyme—when each stanza leads us further from God. Kruse provides the historical scaffolding, Lewis the theological discernment. Together they invite us to vigilance: to name the temptations of Christian nationalism, to resist its allure, and to anchor our communities in the truth that God’s kingdom cannot be co‑opted by worldly power.
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Reviewed in the United States on December 16, 2025

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