Skeena Reece: Entitled Poster (with shipping tube)

Skeena Reece: Entitled Poster (with shipping tube)Skeena Reece Entitled, 2017 Poster of commissioned painting by Collin Elder Edition of 200 24. 75 x 39 in The embodiment of a typical native ness is transformed into caricature in Entitled, 2017, a painting for which Reece commissioned the west coast painter and illustrator Collin Elder to portray her using the clichd aesthetic devices common to paintings of the glorified Native Maiden, but her portrait sits in stark contrast to the romanticism of the

Skeena Reece
Entitled, 2017
Poster of commissioned painting by Collin Elder
Edition of 200
24.75 x 39 in

 The embodiment of a typical native-ness is transformed into caricature in Entitled, 2017, a painting for which Reece commissioned the west coast painter and illustrator Collin Elder to portray her using the clichéd aesthetic devices common to paintings of the glorified Native Maiden, but her portrait sits in stark contrast to the romanticism of the Indigenous female, as she invites the voyeur to gaze upon her self-aware smirk with an air brushed double chin. Reece’s portrait has her dressed in a feather cape, posed stoically in the center of a barrage of wilderness signifiers from the wolf to the grizzly bear, but she asked for a bored wolf, a dumb spirit bear, a contentious totem pole made in the US in Haida style made by non-Haida cravers and the 2010 Vancouver Olympics inukshuk logo in a nauseating mash up of cultural clichés. She is presented as a pervasive image of the Native Indian in her natural habitat, but skewed in parody. She is an absurd dream and flawed vision of the past. Reece exacerbates this relegation to the past, by placing velvet stanchions in front of the painting as if it was in the historical section of a major museum. She further propagates this prolific image as she turns it into a mass-produced poster available for purchase in the gallery’s shop. - Jenifer Papararo, Curator

Skeena Reece is a Tsimshian/Gitksan and Cree artist based on the West Coast of British Columbia. She has garnered national and international attention most notably for Raven: On the Colonial Fleet (2010) her bold installation and performance work presented as part of the celebrated group exhibition Beat Nation. Her multidisciplinary practice includes performance art, spoken word, humor, “sacred clowning,” writing, singing, songwriting, video and visual art. She studied media arts at Emily Carr Institute of Art and Design, and was the recipient of the British Columbia award for Excellence in the Arts (2012) and The Viva Award (2014). For her work on Savage (2010)in collaboration with Lisa Jackson, Reece won a Genie Award for Best Short Film, Golden Sheaf Award for Best Multicultural Film, ReelWorld Outstanding Canadian Short Film, Leo Awards for Best Actress and Best Editing. She participated in the 17th Sydney Biennale, Australia. Recent exhibitions include, The Sacred Clown & Other Strangers (2015) a solo exhibition of her performance costumes and documentation at Urban Shaman Contemporary Aboriginal Art, Winnipeg and Moss at Oboro Gallery, Montreal (2017). An iteration of Sweetgrass and Honey will travel to the Comox Valley Art Gallery.

*Includes $1.50 charge for poster tube