SKU: 28563092842

034Motorsport Density Line Bump Stops, Rear, 100mm - Audi B8 & C7 Chassis 034-403-Z009

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Description

034Motorsport Density Line Bump Stops, Rear, 100mm - Audi B8 & C7 Chassis 034-403-Z009034Motorsport Density Line Bump Stops, Rear, 100mm Audi B8 & C7 Chassis 034 403 Z009. 034Motorsport Density Line Bump Stops are engineered to solve one of the biggest drawbacks of lowering a vehicle: reduced suspension travel. When travel disappears, so do handling precision, ride comfort, and the ability for the suspension to keep the tires planted. Density Line Bump Stops are specifically designed to restore this lost performance while adding tuned,

034Motorsport - Density Line Bump Stops, Rear, 100mm - Audi B8 & C7 Chassis 034-403-Z009.

034Motorsport Density Line Bump Stops are engineered to solve one of the biggest drawbacks of lowering a vehicle: reduced suspension travel. When travel disappears, so do handling precision, ride comfort, and the ability for the suspension to keep the tires planted. Density Line Bump Stops are specifically designed to restore this lost performance while adding tuned, progressive control that factory or cut bump stops simply cannot provide.

034Motorsport Density Line Bump Stops

Engineered Travel. Tuned Control. Superior Comfort:

034Motorsport Density Line Bump Stops are built to address one of the most common issues that comes with lowering a vehicle: the loss of usable suspension travel. When the suspension runs out of room to move, the car's ability to handle precisely, ride comfortably, and maintain consistent tire contact all start to suffer. These bump stops are specifically designed to restore that performance by providing additional, carefully tuned suspension support. Their progressive characteristics manage impact forces smoothly, offering control and protection that factory or trimmed bump stops simply cannot deliver. The result is a more composed, predictable, and confident driving experience, especially on lowered setups that demand proper suspension geometry and travel management.

Why Suspension Travel Matters:

Lowered vehicles lose valuable suspension travel, which causes the suspension to reach the factory bump stop much sooner than intended. A bump stop is designed by the OEM as a final-stage buffer, essentially a rubber cushion that protects the shock and suspension components from bottoming out during extreme compression. In a stock-height vehicle, it is meant to engage only during hard impacts and serves as a safety and comfort device rather than a primary spring.

When the vehicle is lowered, that engineered clearance is reduced or eliminated. As a result, the shock engages the OEM bump stop far more often and under lighter loads than originally intended. This turns the bump stop into an unintended secondary spring, which restricts suspension movement, reduces the suspension's ability to absorb bumps, and prevents the tire from maintaining a consistent load. The outcome is a noticeable loss of ride quality, grip, and handling precision.

Lowered on OEM Bump Stops

  • The suspension stops absorbing bumps
  • The tire loses consistent load and grip
  • Handling becomes unpredictable
  • Ride quality becomes harsh and abrupt

Factory bump stops were never engineered for lowered ride heights, and cutting them only amplifies harshness.

Lowered on Density Line Bump Stops

  • Restores usable shock travel on lowered vehicles
  • Keeps the suspension operating in its intended range
  • Improves chassis balance and stability
  • Enhances comfort by allowing the shock, not the bump stop, to manage impacts

Result: A poised, controlled suspension that maintains grip and comfort instead of bottoming out.

Precision€‘Tuned Compression Rate:

Factory bump stops are designed for stock ride heights and spring rates, which means they often fall short when a vehicle is lowered. 034Motorsport Density Line Bump Stops are specifically engineered for lowered setups, particularly those running Dynamic+ Lowering Springs. Each bump stop is carefully shaped, sized, and density€‘matched to provide a progressive compression profile that acts like a miniature spring and damper. This allows for smooth, comfortable early travel while increasing firmness as the suspension approaches full compression. The result is controlled body motion, predictable handling, and improved ride quality without harshness.

Platform€‘Specific Engineering

Every Density Line Bump Stop is designed to match its specific chassis, ensuring optimal suspension performance. By utilizing vehicle-specific shapes and lengths, these bump stops restore suspension geometry and travel to near-factory levels, even after lowering. Their compression rate and progression are tuned to complement Dynamic+ Lowering Springs, maintaining handling balance while providing consistent, predictable performance. The optimized length and compression characteristics ensure the bump stop works seamlessly with the rest of the suspension, completing a fully engineered performance package rather than serving as a generic replacement.

Why Not Just Cut the Factory Bump Stop?

Cutting factory bump stops might seem like an easy fix, and people have been doing it for years. But every shortcut has a cost. Trimming might buy you a little travel, but it ruins the last phase of the carefully tuned suspension travel that keeps your suspension controlled and your ride composed. The result? Harsh bottom-outs, unpredictable handling, and a setup that never feels quite right.

034Motorsport Density Line Bump Stops are the right way to do it. Designed from the ground up for lowered vehicles, they deliver the full range of motion your suspension deserves, with smooth, progressive control that cut OEM stops simply can't match. More travel, more precision, no compromises.

Cut Factory Bump Stops

  • Not engineered for lowered ride heights
  • Harsh, abrupt engagement
  • Minimal tuning for compression or damping
  • Reduced comfort and poor control

Density Line Bump Stops

  • Engineered compression profile
  • Progressive and smooth engagement
  • Increased usable travel and improved control
  • Maintains stability under load
  • Dramatically improved ride comfort
  • Ideal complement to Dynamic+ Lowering Springs

Features:

  • Designed for Lowered Vehicles
  • Improve Handling and Comfort
  • A Perfect Match for 034Motorsport Dynamic+ Lowering Springs
  • Made from OEM Quality PUR (Polyurethane) Material
  • Reduced Height Helps to Maintain Full Suspension Movement on Lowered Vehicles:
    • OE Height: 115mm
    • 034 Height: 100mm
  • Increased Durometer Over OE for More Effective Compression Limiting Without Becoming Overly Harsh:
    • OE: 50A
    • 034: 55A

Part Number Interchange:

  • 8K0 512 131 B
  • 8K0 512 131 K

What's Included:

  • 1 Pair - 034Motorsport Bump Stops

Fitment:

Make Model Years Chassis Engine
Audi A4 2009-2016 B8/B8.5 2.0 TFSI
Audi A4 2009-2016 B8/B8.5 3.2 FSI
Audi A4 2017-Present B9/B9.5 2.0 TFSI
Audi A5 2008-2017 B8/B8.5 2.0 TFSI
Audi A5 2008-2017 B8/B8.5 3.2 FSI
Audi A5 2018-Present B9/B9.5 2.0 TFSI
Audi A6 2012-2018 C7/C7.5 2.0 TFSI
Audi A6 2012-2018 C7/C7.5 3.0 TDI
Audi A6 2012-2018 C7/C7.5 3.0 TFSI
Audi A7 2012-2018 C7/C7.5 2.0 TFSI
Audi A7 2012-2018 C7/C7.5 3.0 TDI
Audi A7 2012-2018 C7/C7.5 3.0 TFSI
Audi Allroad 2010-2016 B8/B8.5 2.0 TFSI
Audi RS6 2012-2018 C7/C7.5 4.0 TFSI
Audi RS7 2012-2018 C7/C7.5 4.0 TFSI
Audi S6 2012-2018 C7/C7.5 4.0 TFSI
Audi S7 2012-2018 C7/C7.5 4.0 TFSI
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SKU: 28563092842

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Product Reviews
J
JeFF Stumpo
Lexington, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2010
K
Kent Shaw
Birmingham, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Natrona Heights, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Omaha, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Boise, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017

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