SKU: 28579785376

Inakustik Reference LS-8005 AIR Pure Silver Speaker Cable (pair)

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Description

Inakustik Reference LS-8005 AIR Pure Silver Speaker Cable (pair)LS 8005 AIR Features "Point to point Air Helix for authentic sound Air as the ultimate dielectric minimizes capacitance Cross Link Super Speed waveguide for a balanced sound BFA banana & spade lug 360 adjustable Grounding option to divert interference High end loudspeakers need power and a lot of it, quickly and precisely. For the perfect sound the power must correspond one hundred percent with the analog image of the original sound source, be it an A

LS-8005 AIR

Features

  • "Point-to-point Air Helix” for authentic sound
  • Air as the ultimate dielectric minimizes capacitance
  • Cross Link Super Speed waveguide for a balanced sound
  • BFA banana & spade lug 360° adjustable
  • Grounding option to divert interference

High-end loudspeakers need power – and a lot of it, quickly and precisely. For the perfect sound the power must correspond one hundred percent with the analog image of the original sound source, be it an A cappella soloist or a stomping rock concert. A few technical tricks that help to skillfully circumvent physical influences are required to deliver this power to the loudspeaker right on time and holistically. Line resistance and line inductance play an important role with speaker cables.

The powerful Referenz LS-8005 AIR has impressive 32 Cross Link Super Speed waveguides with an enormous total cross-section of 38 mm². The cross-section alone, however, does not make a good cable. The smart nesting of the conductors almost completely eliminates magnetic fields, paving the way for the finest sound facets and powerful pressure in equal measure.

Good sound needs air! In developing our Air technology, we have proven that an audio cable’s insulation plays a key role and has a significant influence on the sound. This is due to dielectric losses and the electrostatic properties of the insulating materials, which burden the hi-fi system like heavy luggage and make it sluggish. By “omitting” this strain we then help the entire hi-fi chain to achieve top performance. We do this with special clips that guide the signal conductors through the cable in a row and freely suspended.

To get closer to the pinnacle of audiophile perfection, we also carefully examined the conductor material. Copper in the right purity is itself already an excellent conductor, but a superconductor with no ohmic resistance to the current would be simply perfect. The material’s superconducting properties, however, require extremely low temperatures of at least -70 degrees. Under realistic conditions, silver is currently the most conductive material. With a conductivity of 61.35 S/m (siemens per meter), it outperforms copper by around six percent. Many manufacturers only use silver-plated conductors, which over time can seem, “bright”, “metallic” and even, “annoying”. We, on the other hand, use pure silver, which has a far more neutral sound. Due to the higher drift speed of the electrons, our pure silver cable delivers a more penetrating and sumptuous sound performance, across all frequency ranges. On the other hand of course, silver is about one hundred times more expensive than copper.

Grounding option: The number of cell phones, WiFi routers, Bluetooth devices, PV systems and charging stations etc., is constantly increasing. This also increases the potential for electromagnetic interferences, which can affect hi-fi and high-end systems. Cables act like antennae and can transfer the interferences to the devices, where they overlay the audio signal in sensitive circuit areas, resulting in a “washed out” sound. Effective shielding and grounding concepts are crucial to protect the sound. The grounding cable of a record player is a very well-known example of this. The LS- 8005 AIR is equipped with a grounding option, which, depending on the configuration, can be connected to the amplifier’s earth, the protective conductor or earth or a grounding box, to divert disturbances.

Thanks to the Air Helix design, the conductors run freely suspended through the length of the cable.

The Air Helix architecture permits signal conductors to be insulated to practically 100% by air. Special clips were developed to provide the supporting framework. Positioned at defined intervals inside the cables, these clips keep the helically-arranged conductors apart. Cable flexibility is assured by means of two struts that ensure the clips remain together but also at a precise distance from each other. This architecture is unique, bringing low capacitance and minimum dielectric losses – a true milestone in the search for open and unadulterated sound.

Our physical approach: Minimize losses for true-to-original playback.

Our Referenz AIR cables transport audio signals between source, amplifier and speaker in an authentic way and with a minimum of loss. You can enjoy music that precisely expresses the emotions of the artists at the time of recording – sensual, subtle, light-hearted or orchestral right through to full-blooded and rocking. Vocals and instruments are delivered in unadulterated form. Everything remains vibrant and full of emotive energy. Favorite tracks and pieces continue to trigger strong feelings even when you’ve heard them a hundred time over.

To the point

AIR Helix

The Air Helix architecture enables the signal conductors to run freely suspended through the length of the cable and permits signal conductors to be insulated to practically 100% by air.

The dielectric

Using air as a dielectric lowers capacitance to a minimum. In comparison with other insulators, using air as a dielectric leads to no increase in capacitance and creates no dielectric losses.

Multicore structure

By cleverly arranging the conductors in the multiply nested multicore structures, overlapping magnetic field areas are created that significantly reduce inductance.

The conductors

The Cross Link Super Speed waveguide avoids so-called skin effects and delivers a balanced sound, even with complex music passages and high volume levels.

Pressure-grouted contacts

The connectors are pressed directly into the conductor material of the cable using a special tool with a force of 1.5 tonnes. Contact resistance and other negative solder effects are avoided.

Point-to-point Air Helix for end-to-end connections

A new feature in the 5th generation of in-akustik’s Air Helix architecture is the point-to-point connection. Specially designed transitions are available for each type of cable and connector. Across the complete length of the cable – point-to-point AIR Helix. It may sound trivial at first, but the results are impressive. Sound signals are transported with minimized losses, right through to the final centimeters. The sound is more detailed and dynamic than even before.

The conductor structure

The Cross Link Super Speed waveguide avoids skin effects caused by eddy currents in the conductor. Thanks to the braided structure, the waveguide is able to precisely transport even extreme current peaks. A lacquer coating around each wire prevents eddy currents within the conductor and protects against oxidation. All this results in a conductor that delivers a balanced sound consisting of vibrant and never overemphasized timbres, even in complex musical passages and at high volume levels.

The conductor material

The conductor material is a crucial factor for the transmission of sound signals. Any contamination worsens the conductance and increases the background noise. We only use pure, oxygen-free copper in our AIR cables. We ensure that only carefully selected batches of pure copper are processed. We take great pains to measure the quality of the copper before it is sent to the mill for drawing to the required cross-section over the course of a multi-stage process.

The multicore structure

Inductivity is a critical parameter in loudspeaker cables. By cleverly arranging the conductors in the multiply nested multicore structures, overlapping magnetic field areas are created that significantly reduce inductance. This allows the entire frequency spectrum, including high frequencies and dynamic impulse sequences, to be transported in an unimpeded way and with no delays. The music seems more exquisitely detailed, and the sound gains in fine dynamism. All details are kept distinct yet harmonious at the same time.

Cable manufacturing unit

The beating heart of in-akustik is our manufactory. This is where our success story is rooted – permeated by a congenial working atmosphere, a love of music and a passion for detail. At in-akustik, we believe musical enjoyment stems from a listening experience that remains as close as possible to the original recording and the artist’s interpretation of the piece. That’s why we boast a committed workforce that combines curiosity with a keen sense of precision. With a fascination for music and things that are really special – like the development of our complex AIR cables.

Handmade

Each cable is handcrafted with the utmost care. Our extensive know-how and the qualifications of our team enable us to manufacture the complex cables in a customized manner. Apart from the finest of materials, our most important resource is the manual dexterity of our cable assemblers. In assembling our outstanding cables, they demonstrate meticulousness, composure and dedication.

Rigorous quality control

We manufacture in accordance with the highest standards. Rigorous quality control is carried out before, during and subsequent to assembly. We verify the tolerances of ever individual component. At every stage of manufacturing, we check the configuration and electrics for short-circuits. We also conduct functional and mechanical testing. No product leaves our manufacturing unit without a final quality check.

Grounding option

The growing number of cell phones, WiFi routers, PV systems and charging stations increases potential electromagnetic interference, affecting hi-fi systems. Cables can act as antennae, transferring interference to devices and degrading sound quality. Effective shielding and grounding are essential for protection. The LS-8005 AIR includes a grounding option that can connect to an amplifier’s earth, protective conductor, or a grounding box to divert disturbances, similar to a record player's grounding cable.


BFA Banana & Spade 360°

Movement across three axes make the 360-degree BFA and spade connectors really easy to connect and disconnect. Difficult set-up operations that put a strain on both cables and devices are a thing of the past. The connectors can easily be attached to terminals from a wide range of manufacturers. No awkward bending is necessary, avoiding damage to surfaces and potential contact resistance. Set-up is fast and problem-free. The attractively designed connectors are the perfect complement to the outstanding sound.

Rhodium-coated

The best cable requires optimum connection technology. We use tellurium copper, a harder metal alloy that maintains the high conductivity value. Much superior to that of brass connectors. The rhodium coating ensures long-lasting contact and corrosion resistance. The stable conductivity is even maintained with frequent conversions. This is better than gold contacts, which wear out quicker.

Pressed contacts (1.5 tonnes)

The contact elements of the connectors are pressed directly into the conductor material using a special tool with a force of 1.5 tonnes. This creates a stable and reliable connection without the use of solder or ferrules. Transition resistances and negative effects are avoided to ensure optimum signal transmission.

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SKU: 28579785376

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4.4 ★★★★★
Based on 9 reviews
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D. Mikels
Dallas, US
★★★★★ 3
"The devil knows why. . ."
I have mentioned before in a distant review of the past that each book has a "moment of truth," that shimmering macrosecond where the reader either becomes hooked (and therefore can't wait to finish the work), or disappointed (whereby the book is either put aside, or finished grudgingly). For me, alas, Bulgakov's THE MASTER AND MARGARITA evoked the latter, although I finished the book and readily appreciated the author's rather fantastic and satirical story of Satan and his pesky retinue wreaking havoc in 1930s Moscow. That Mikhail Bulgakov is an exceptional writer is a given; if only I was fluid in Russian where I could read his words as written I would no doubt be even more impressed with his prose and style. This Vintage Press edition (translated by Diana Burgin and Katherine Tiernan O'Connor) certainly pays homage to this classic with a meticulous eye for detail, followed by notes on each chapter that I found to be invaluable. So then, what's the problem? Well, I enjoy humor and satire as much as the next guy (I suppose), but a story depicting Satan as some sort of instrument of salvation--an instrument in alliance with Yeshua--for the book's two protagonists was just. . .too much. The Master, a writer who cannot endure the pain of rejection, is one-dimensional and sullen, while Margarita, his love, becomes a willing pawn of the devil. And the story blithely suggests that death through its mortal release is preferable to life (which is understandable, given Bulgakov's failing health as he finished the book). The fantastic notion of the story--of illusion, madness, a huge talking cat, flying through the air, and a Satanic ball--is a clever device, but eventually it wears thin. As a playwright, Bulgakov uses an abundance of theater officers, bureaucrats, and authors as unhappy victims of Satan's antics (no doubt the author was settling countless scores); unfortunately, the names of these characters are in Russian, and many of the names vary by a vowel or a letter, making it very difficult for the reader to keep track of "who's who." And the parallel story of Pontius Pilate and the crucifixion--told from a political, not spiritual, perspective--was interesting, yet bizarre. In fact, "bizarre" is a good word to describe THE MASTER AND MARGARITA in its entirety; it's an interesting, fantastic, metaphysical tale, yet requires too much suspension of disbelief. --D. Mikels
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Reviewed in the United States on May 24, 2004
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Dr. Mike
Grantham, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
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Reviewed in the United States on July 16, 2014
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C. Collins
Louisville, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
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Reviewed in the United States on February 5, 2005
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KB2187
Louisville, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
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Reviewed in the United States on April 27, 2019
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PWDecker
West Palm Beach, US
★★★★★ 5
A great volume with great Tarkin/Vader relationships
Format: Paperback
I am continuing to enjoy this ongoing series showing Darth Vader shortly after Episode 3. It's cool seeing Mon Cala prior to Imperial control. I like how there's a bit of a tie-in with the ongoing Star Wars comic series. There are also flashbacks to the Clone Wars era. I like this time period. Each jedi that evaded Order 66 is dealing with the new world in a different way. I also really enjoyed seeing a young Ackbar. There are two standalone issues included in this volume. First, there's a story that shows the relationship between Darth Vader and Tarkin developing into what we see in the original trilogy. The other is an Annual written by Chuck Wendig. This shows another interesting Vader/Tarkin dynamic. There are a bunch of great references that I love in this issue! Project Stardust. Geonosis. Krennic. Galen Erso. Overall, it's a really cool tie-in to Rogue One. Yet again, I give this volume of the ongoing Darth Vader: Dark Lord of the Sith a 5/5.
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Reviewed in the United States on September 19, 2018

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