SKU: 34311922676

Blavana Ultra-Rich Youth-Boost Face Pommade for Aging Skin

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Description

Blavana Ultra-Rich Youth-Boost Face Pommade for Aging SkinAncient Black gram and Manjistha come together in a silk slip pomade to wipe away all your dryness issues in 1 nightly swipe! Product Details The Age Old Age Hold Complex thats been hidden inside the Ayurvedic Chest of Herbs and some kitchens in India for over 5000 years is here to give age defying creams a run! Blavana Black Gram Youth Boost Face Pommade is now here to make you forget all creams and anti aging serums and lotions and will sweep your

Ancient Black gram and Manjistha come together in a silk-slip pomade to wipe away all your dryness issues in 1 nightly swipe!

Product Details

The Age-Old ‘Age-Hold’ Complex that’s been hidden inside the Ayurvedic Chest of Herbs and some kitchens in India for over 5000 years is here to give age-defying creams a run!

Blavana Black-Gram Youth Boost Face Pommade is now here to make you forget all creams and anti-aging serums and lotions and will sweep your skin off its feet with its ultra-moisturizing, velvety adulation! 


  • Take advantage of Ayurveda’s secret youth-recipe: Black Gram Lentil but now in a cream and not in an oil! If you love Ayurveda’s authentic ingredients but prefer a more modern format of a cream – here's your holy grail!
  • Keep yourself looking and feeling young and your skin and spirits bouncy with Black Gram, your complexion clear and radiant with Manjishtha, its texture soft and sultry with Aloe Vera, and firm and peachy with Apricot - in just one swipe every night!
  • Cold Creams are a thing of the past, but they worked – at least in keeping the cold from sucking the softness out of your skin! But now you can enjoy the same benefits without the stickiness and heaviness of the cold cream and flaunt youthful, moisturized, firmed and juicy skin that’s protected from dryness, an aged appearance, wind-burns and dullness that comes with time!
  • Blavana Youth-Boost Pommade is unlike any cream you’ve used before! Its incredible formula and soft texture are THE treat for your skin that’ll fix your thirsty, aging or winter skin issues!
  • Vegan
  • Dermatologically Tested
  • Not Tested on Animals
  • No Harmful Chemicals
  • No Artificial Fragrance
  • No Dyes or Added Color
  • No Sulfates
  • No Parabens

Every dash of Blavana brings forth the supremacy of the unctuous age-defying Ayurvedic secret, Black Gram in an ingenious cocktail of Sweet Almond Oil, Aloe Vera Oil, Cucumber Fruit Juice, Apricot Fruit Extract, Manjistha Extract, Lemon Fruit Juice and Sacred Lotus Flower Extract.

With a silk-smooth, mousse-like texture that serenades every cell in your skin with its powerful yet super-gentle action, Blavana’s supreme formulation wrings out the look of signs of aging (lines, wrinkles, saggy skin) that may seem to have claimed their place on your skin, but NO MORE!

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Ingredients

Full and complete list of ingredients:
Water (Aqua)
Sesame Oil
Vigna Mungo (Black Gram) Seed Extract
Glycerin
Cetearyl Alcohol
Coco-Caprylate/Caprate
Sweet Almond
Aloe Vera Oil
Aloe Barbadensis Gel Extract
Cetearyl Olivate
Glyceryl Stearate
Cetearyl Glucoside
Cucumber
Apricot
Indian Madder
Lemon
Gum Acacia
Xanthan Gum
Glucose
Dehydroacetic Acid
Sacred Lotus
Benzyl Alcohol
Citronellol
Geraniol
Farnesol
Limonene

No harmful chemicals. No sulfates. No parabens. No dyes or added color. No artificial fragrance. Not tested on animals. Vegan. 

Caution: For external use only. Test for allergy. Do not expose the facial kit to sunlight or moisture. Apply away from eyes. Do not apply to wounds, cuts or rashes. This product does not offer any sun or UV protection. This product is not meant to treat, heal or cure any disease. 

Quantity:  1 jar of 1.76 oz (50 g).


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How to Use

For Daily Use: 

  • Take a pea-sized amount of Blavana Youth-Boost Face Pommade. 
  • Apply and massage all over a pre-cleansed face.    


    100% satisfaction, 30-day money-back guarantee

    Why A.Modernica Naturalis?

    Why A Modernica Naturalis?

    #1 The Best of Ancient Ayurveda and Modern Science, Together Tested for Stability and Performance

    All A. Modernica products contain traditional Ayurvedic oils/ingredients which are then brought together with modern skin-science wonders such as Hyaluronic Acid or Niacinamide which are not harmful. These formulations have now taken shape after years of deliberation, improvements, and taking user feedback into account.

    #2 Nature-Driven, Clean Formulations with 90% or more Natural Ingredients and safe/safe levels of processed ingredients

    All A. Modernica products comprise mostly of natural origin ingredients with only 0-10% processed ingredients used to stabilize the formula and to keep it bacteria-free/prevent it from spoiling - not like other natural products that contain a small amount of natural extracts and a large amount of chemicals and label themselves as natural!

    Pick up and read the label of any other product of any other brand that offers creams, lotions etc. and note their natural content and you’ll know what we’re talking about.

    We also do not use harmful chemicals, sulphates, parabens and follow a strict no-nasties policy.

    #3 Convenient, Modern, Affordable

    All A. Modernica products are in easy-to-use formats – you no longer need to spend a long time cleaning up the mess! What’s more, these skin and environment-friendly products made with high quality natural extracts, herbs and oils are reasonably priced, keeping in mind the powerful natural composition.

    #4 30-Day Money Back Guarantee, The Ayurveda Experience backing

    The icing on the cake is our confidence in the brand – if you use the product and don’t like it, simply write to us within 30 days of purchase and get your money back! Now when was the last time a beauty company took its used/opened bottles back from you?! The Ayurveda Experience’s backing for this brand means we deliver quality to you and your satisfaction is of the utmost importance! 

    100% satisfaction, 30-day money-back guarantee

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 34311922676

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    4.0 ★★★★★
    Based on 24 reviews
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    M
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    mojo_navigator
    San Leandro, US
    ★★★★★ 5
    Excellent Blu-Ray Transfer - Big Improvement to the DVD
    I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 26, 2014
    K
    Verified Purchase
    KEITH
    Birmingham, US
    ★★★★★ 5
    Displeasure And Distance
    The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 17, 2025
    P
    Verified Purchase
    Parker
    Omaha, US
    ★★★★★ 3
    Dated, but....
    Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 1, 2011
    C
    Verified Purchase
    Clare Quilty
    West Palm Beach, US
    ★★★★★ 5
    A stark, brutish "Petulia" with a pistol in its pocket
    It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 1, 2005
    J
    Verified Purchase
    Joe Movie
    San Leandro, US
    ★★★★★ 4
    One of Marvins better offerings
    Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 20, 2010

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