SKU: 58006571445

Parker Duofold International Fountain Pen - Blue Marble

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Description

Parker Duofold International Fountain Pen - Blue MarbleThe Parker Duofold International Fountain Pen Blue Marble combines one of Parker's most celebrated designs with a finish that has become a favorite among enthusiasts and collectors alike. Rich swirls of deep blue and black create a marbled appearance that gives each pen its own unique character, while the collection's signature proportions and meticulous craftsmanship reinforce the Duofold's position as one of the most enduring names in luxury writing

The Parker Duofold International Fountain Pen - Blue Marble combines one of Parker's most celebrated designs with a finish that has become a favorite among enthusiasts and collectors alike. Rich swirls of deep blue and black create a marbled appearance that gives each pen its own unique character, while the collection's signature proportions and meticulous craftsmanship reinforce the Duofold's position as one of the most enduring names in luxury writing instruments.

As the slightly more compact counterpart to the Duofold Centennial, the International offers the same prestigious character and exceptional craftsmanship in dimensions that many writers find particularly comfortable for everyday use. Its balanced proportions and distinctive finish make it equally suited to professional settings and personal collections.

Craftsmanship & Design

The Blue Marble finish immediately distinguishes itself from the classic solid-color Duofold models. The precious resin is infused with flowing variations of blue and black that evoke natural stone, creating depth and movement across the barrel and cap. Because of the marbled nature of the material, every pen exhibits subtle differences in patterning, giving each example an individual identity.

Gold-plated trim provides a warm contrast against the cool tones of the resin, accentuating the pen's elegant lines without overwhelming the dramatic finish. Signature elements, including Parker's iconic arrow clip and engraved cap bands, complete a design that feels both timeless and visually distinctive.

The Duofold's gently tapered, cigar-shaped silhouette remains one of the defining forms in modern luxury pen design. Refined proportions and careful material selection allow the Blue Marble finish to take center stage while preserving the understated sophistication that has long characterized the collection.

Writing Experience

The Duofold International is fitted with an 18-karat gold nib that delivers the smooth, refined writing experience expected from Parker's flagship fountain pen collection. Responsive yet controlled, the nib offers dependable ink flow and excellent balance, making it equally enjoyable for correspondence, journaling, note-taking, and daily writing.

The International's dimensions contribute significantly to its appeal. Slightly smaller than the Centennial, it feels agile and comfortable in hand while maintaining a reassuring presence during extended writing sessions. The cartridge/converter filling system further enhances versatility by accommodating both the convenience of cartridges and the wide range of colors available in bottled inks.

The Legacy of the Duofold

Since its introduction in 1921, the Parker Duofold has represented the company's highest expression of craftsmanship and design. Revered for its reliability, elegant styling, and exceptional writing performance, the collection has become one of the most influential names in the history of fine writing instruments.

The Blue Marble edition offers a distinctive interpretation of this heritage. By pairing the Duofold's classic architecture with a richly patterned finish, Parker created a fountain pen that feels both traditional and individualistic. For enthusiasts seeking a writing instrument that combines timeless craftsmanship with a more expressive aesthetic, the Duofold International Blue Marble remains one of the most compelling members of the collection.

Technical Specifications

  • Brand: Parker
  • Condition: New Old Stock - with Box
  • Collection: Duofold International
  • Edition: Blue Marble
  • Product Type: Fountain Pen
  • Body Material: Blue Marble Precious Resin
  • Trim: Gold-Plated
  • Nib Material: 18K Gold
  • Filling System: Cartridge/Converter
  • Cap Type: Screw Cap
  • Country of Origin: United Kingdom
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SKU: 58006571445

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4.3 ★★★★★
Based on 25 reviews
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Product Reviews
J
Verified Purchase
JR
Lexington, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Natrona Heights, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Natrona Heights, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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