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Description
Cielden King Upholstered Bed with Roll Slats, Dresser and MirrorClean lined and contemporarybut far from starkthis bedroom package is a fresh style awakening. Pairing a light finish with replicated oak grain and textured beige details that replicate the look of cane, its mixed materials bring a naturally versatile vibe to your bedroom. Sleek, simple hardware plays perfectly with the modern aesthetic. Specifications Details B1199 82: Made with durable engineered wood frame and roll slats, Polyester upholstery, Low
Clean-lined and contemporary—but far from stark—this bedroom package is a fresh style awakening. Pairing a light finish with replicated oak grain and textured beige details that replicate the look of cane, its mixed materials bring a naturally versatile vibe to your bedroom. Sleek, simple hardware plays perfectly with the modern aesthetic.Specifications
| Details | B1199-82: Made with durable engineered wood frame and roll slats, Polyester upholstery, Low-profile design, Bed does not require additional foundation/box spring; accommodates most zero clearance adjustable bases, Mattress available, sold separately, Minor assembly required, B1199B1: Includes dresser and mirror, Made with engineered wood (MDF/particleboard/plywood) and decorative laminate for the right balance of affordability and durability, Dry, light finish with replicated oak grain and authentic touch, Decorative laminate replicates natural or man-made material surfaces with consistent color, pattern and texture , Dresser with framed front and pilasters, Framed drawer fronts with replicated beige cane finish, Bronze-tone knobs, 6 smooth-gliding drawers , Drawer interiors are lined with a faux linen laminate for a clean, finished look, Safety is a top priority, clothing storage units are designed to meet the most current standard for stability, ASTM F 2057 (ASTM International), Drawers extend out to accommodate maximum access to drawer interior while maintaining safety, Mirror attaches to back of dresser; can also be mounted on wall horizontally or vertically, Minor assembly required, simply lay flat and attach feet, | |
| Code | Bed | |
| Color | Soft Gray | |
| Type | Master Bedroom | |
| AssemblyTime | Estimated Assembly Time: 65 Minutes | |
| Cielden King UPH Bed w/Roll Slats | 85''W x 90''D x 46''H | |
| Cielden Dresser and Mirror | 62''W x 20.25''D x 63.25''H | |
| Weight | ||
| Weight_unit | Pound | |
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4.8 ★★★★★
Based on 12 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017