SKU: 78022089634

Mesa Boogie Mark IIC+ Head

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Mesa Boogie Mark IIC+ HeadPure Vintage Boogie De legendarische Mark IIC+ is terug De Mark IIC+ is het toonbeeld van pure Vintage Boogie. Het ontwerp vindt zijn oorsprong in de originele Mark II (later Mark II A), s werelds allereerste versterker met een zogeheten Dual Mode architectuur: n kanaal met twee volledig verschillende karakteristieken voor clean en overdrive. De IIC+ vormt de derde en meest verfijnde generatie van dit baanbrekende concept, waarin bijna vijf jaar aan

Pure Vintage Boogie – De legendarische Mark IIC+ is terug

De Mark IIC+ is het toonbeeld van pure Vintage Boogie®. Het ontwerp vindt zijn oorsprong in de originele Mark II (later Mark II-A), ’s werelds allereerste versterker met een zogeheten Dual Mode-architectuur: één kanaal met twee volledig verschillende karakteristieken voor clean en overdrive. De IIC+ vormt de derde en meest verfijnde generatie van dit baanbrekende concept, waarin bijna vijf jaar aan feedback, finetuning en doorontwikkeling samenkomt. Het is bovendien het sluitstuk van deze lijn; zijn opvolger kreeg een extra mode en zou bekend worden als de Mark III.

De bediening is typisch Mark-serie: één rij knoppen die beide modi aansturen. Rhythm en Lead delen de basisregeling, maar beschikken over eigen gain- en volumestadia, die onderling reageren en samen de kern van het geluid bepalen. De toonregeling doet het grote werk, terwijl de iconische Pull Shift-functies — deels modespecifiek — extra stemmogelijkheden bieden. Voor het echte precisiewerk is er natuurlijk de ingebouwde 5-bands grafische EQ. De frequentiebanden zijn breed maar extreem effectief, waardoor je razendsnel en muzikaal tot een uiterst gedefinieerde sound komt.

Ook aan de achterkant laat de Mark IIC+ zien waarom hij zijn status heeft behouden. De globale Presence- en Reverb-regelingen zijn bewust centraal geplaatst voor snelle aanpassingen op het podium. De in serie geschakelde, gebufferde effects loop integreert probleemloos met delays en reverbs. Met de Power Select-schakelaar kies je tussen het volle 75 watt Simul-Class™-vermogen — rijk, open en met maximale headroom — of Class A, goed voor een gereduceerd vermogen en een zachtere, meer verzadigde eindtraprespons bij lagere volumes. De speakeruitgangen (8 ohm en twee keer 4 ohm) maken het eenvoudig om vrijwel elke cabinetconfiguratie aan te sturen. En via de Slave-uitgang tap je het complete signaal, inclusief eindtrap, ideaal voor IR-loaders, externe processors of zelfs klassieke wet/dry/wet-opstellingen.

Veertig jaar na de oorspronkelijke productie keert dit icoon terug — niet als nostalgisch eerbetoon, maar als serieuze versterker voor vandaag. De Mark IIC+ stond aan de basis van talloze legendarische gitaristen en opnames uit een van de meest invloedrijke periodes in de rockgeschiedenis. Het opnieuw bouwen van deze versterker met moderne componenten en binnen hedendaagse regelgeving was allesbehalve eenvoudig, maar het resultaat mag er zijn. Deze heruitgave doet de originele C+ eer aan, tot in het kleinste detail.

Zoek je een legendarische versterker zonder de onzekerheden van vintage, wil je maximale expressie en karakter, heb je geen behoefte aan eindeloze modi en geef je de voorkeur aan een klassieke, overzichtelijke layout? Dan is de Mark IIC+ precies waar je moet zijn. Maar wees gewaarschuwd: zodra je een C+ speelt, verandert je referentiekader. Een grote claim — absoluut — maar wel eentje die wordt gedragen door veertig jaar iconische toon en een ongekend loyale fanbase.

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SKU: 78022089634

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4.0 ★★★★★
Based on 11 reviews
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Verified Purchase
L. Moyse
San Leandro, US
★★★★★ 5
A fine performance
Format: Paperback
You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been. The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current." Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice. Very highly recommend this book.
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Reviewed in the United States on February 24, 2013
T
Thomas A. Holmes
Bozeman, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011
J
jwriter
Fort Morgan, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
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Reviewed in the United States on February 10, 2013
A
Verified Purchase
Austin Duck
Massapequa, US
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
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Reviewed in the United States on November 5, 2013
A
Angels Among Us
Charlottesville, US
★★★★★ 5
Dr. G.
Format: Paperback
Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
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Reviewed in the United States on August 25, 2014

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