SKU: 79047533757

RC4Magic S3 DMXpix Dual Pixel String Driver

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Description

RC4Magic S3 DMXpix Dual Pixel String DriverTHIS PRODUCT LINE IS END OF LIFE NOT RECOMMENDED FOR NEW SYSTEMS The RC4Magic DMXpix is a tiny wireless DMX driver for pixel LEDs. Patent pending RC4 Custom Pixel Profiles facilitate beautiful 3000 channel pixel effects while consuming a user selected number of DMX control channels. You specify the string type, DMX start channel, and various configuration parameters for each driver. Then, you control the visual key frame from your DMX console in real

 THIS PRODUCT LINE IS END OF LIFE - NOT RECOMMENDED FOR NEW SYSTEMS

The RC4Magic DMXpix is a tiny wireless DMX driver for pixel LEDs. Patent-pending RC4 Custom Pixel Profiles facilitate beautiful 3000-channel pixel effects while consuming a user-selected number of DMX control channels.  You specify the string type, DMX start channel, and various configuration parameters for each driver.  Then, you control the visual key frame from your DMX console in real time. Also on-board are a standard DMX data port, and an I2C interface for use with Arduino, Raspberry Pi, and more.  Only 61mm x 36mm x 20mm, the DMXpix is the future of portable, spectacular pixel displays.

TECHNICAL SPECIFICATIONS:

Dimensions: 60mm x 35mm x 20mm

Power Input: 5VDC – 35VDC, 0.4W idle draw

Connections:

Power: 2pin Phoenix Connector

Pix A, Pix B: 4pin Phoenix Connectors

i2c – 6-position (2×3) DIL 2.54mm header

Protocol:

Pixel Strings  –

WS2801, WS2811, WS2812, LPD8806, APA102.  Each of these types is unique.  Numerous other types are identical or compatible with these.  Additional driver types can be installed in the field using the RC4 Code Loader.

I2C –

Communicates with host device (Arduino, Raspberry Pi, etc.) as an I2C slave emulating read-only-memory.  The first 512 memory locations contain current DMX universe channel levels.

Features:

Pixel Strings  –

RC4 Custom Pixel Profiles for assigning DMX channels to groups and sequential segments of pixels (the key frame), repeating and mirroring patterns, and more.

RC4 ColorMatch for matching color palettes of different strings (patent pending).

Pixel Color Order remaps each trio of DMX channels to address the correct colors in any pixel string.

I2C –

I2C address user programmable using RC4MagicPC.

Sensor: Total current draw.

DMX In/Out: RC4 3.5mm TRS receptacle (non-standard).  Optional adaptors to XLR 3-pin, 5-pin, male, female, are available.  Data output compliant with ANSI E1.11 (DMX512-A).  Data input compliant with E1.11 , ANSI E1.20, ANSI E1.37-1 (RDM).

RF Antenna: hidden internal, omnidirectional.

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SKU: 79047533757

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4.5 ★★★★★
Based on 17 reviews
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A
Verified Purchase
AlanWarner
West Palm Beach, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Dallas, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Boise, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Lexington, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Pawtucket, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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