SKU: 86931341259

Yamaha U1A – Zwart Hoogglans | Volledig Gerestaureerd (2026)

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Yamaha U1A – Zwart Hoogglans | Volledig Gerestaureerd (2026)Bent u op zoek naar een piano met professionele klank, tijdloze elegantie en betrouwbare kwaliteit? Deze Yamaha U1A in zwart hoogglans combineert het beste van Japanse precisie met een volledig vernieuwde technische staat. Dit jaar is de piano vakkundig en compleet gerestaureerd, waardoor hij zowel optisch als mechanisch weer in topconditie verkeert. Waarom kiezen voor deze Yamaha U1A? Volledig gerestaureerd (2026)Het instrument is technisch

Bent u op zoek naar een piano met professionele klank, tijdloze elegantie en betrouwbare kwaliteit? Deze Yamaha U1A in zwart hoogglans combineert het beste van Japanse precisie met een volledig vernieuwde technische staat. Dit jaar is de piano vakkundig en compleet gerestaureerd, waardoor hij zowel optisch als mechanisch weer in topconditie verkeert.

✨ Waarom kiezen voor deze Yamaha U1A?

✔ Volledig gerestaureerd (2026)
Het instrument is technisch nagekeken, waar nodig voorzien van nieuwe onderdelen, volledig gereguleerd en nauwkeurig gestemd. Speelt soepel en responsief – als nieuw.

✔ Rijke, warme klank
De U1A staat bekend om zijn heldere, krachtige toon met een warme onderlaag. Ideaal voor zowel beginners als gevorderde pianisten en muziekscholen.

✔ Professionele speelaard
Met een hoogte van ca. 121 cm biedt deze piano een volle klankprojectie en een uitstekend dynamisch bereik.

✔ Stijlvolle uitstraling
De zwarte hoogglans kast geeft een luxe en moderne uitstraling die in elk interieur tot zijn recht komt.

✔ Betrouwbare Yamaha-kwaliteit
De U1-serie is wereldwijd geliefd vanwege zijn duurzaamheid, stemvastheid en consistente prestaties.

📐 Specificaties

  • Model: Yamaha U1A

  • Hoogte: ca. 121 cm

  • Afwerking: Zwart Hoogglans (Polished Ebony)

  • Mechaniek: Yamaha precisie-mechaniek

  • Bouwjaar: Jaren ’80 (professioneel gerestaureerd in 2026)

  • Inclusief: Bijpassende pianobank (optioneel te vermelden indien van toepassing)

Deze Yamaha U1A is een uitstekende keuze voor wie een betrouwbare studie- of huiskamerpiano zoekt met professionele uitstraling en klankkwaliteit. Dankzij de recente restauratie kunt u zorgeloos jarenlang genieten van dit prachtige instrument.

🎵 Klaar om bespeeld te worden – een investering in muzikaal plezier.

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SKU: 86931341259

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ImTooTired
Charlottesville, US
★★★★★ 5
Gender Roles is a scam
Format: Paperback
This is why most women play dumb. They play dumb to please males that it becomes who they are. It’s a waste of a lifetime to make yourself feel small just to make someone feel good about themselves.
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Reviewed in the United States on August 15, 2021
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Amazon Customer
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★★★★★ 5
Five Stars
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Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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CK
New York, US
★★★★★ 5
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Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
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Chris Eldredge
Carnegie, US
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excellent sevice
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Reviewed in the United States on June 23, 2015
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Lee Hall
Draper, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004

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