SKU: 6802971490

ES KERAMIK FAT-LAVA VASE 684/12

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Description

ES KERAMIK FAT-LAVA VASE 684/12A compact, cube form vase from ES KERAMIK. The sides gently taper up from the base and culminate in a volcano top with a round opening. Finished with a beautiful, bubbly, blue and white fat lava glaze. ES KERAMIK was founded in 1948 by Josef Emons and his two sonsES being an initialism for Emons & Shnein the town of Rheinbach near Bonn in the German state of North Rhine Westphalia when Emons and then partner Jean Fuss dissolved their terracotta

A compact, cube-form vase from ES KERAMIK.  The sides gently taper up from the base and culminate in a volcano top with a round opening.  Finished with a beautiful, bubbly, blue-and-white fat-lava glaze.

ES KERAMIK was founded in 1948 by Josef Emons and his two sons—ES being an initialism for Emons & Söhne—in the town of Rheinbach near Bonn in the German state of North Rhine-Westphalia when Emons and then partner Jean Fuss dissolved their terracotta business.  (Fuss established Marei Keramik with his son that same year.)  Fuss & Emons had been formed in 1921 when the two men left employment with Klein & Schardt, the predecessor of Ruscha Keramik.  Its output consisted of flower pots, ornamental ceramics, and eventually drainage pipes.  With the start of WWII, production came to a near standstill—with the exception of the inserts for so-called "Hindenburg lichter," an important source of wartime emergency lighting.  The full program was resumed as conditions normalized after the war, but the two men chose to go in different directions.

The factory housing ES KERAMIK was largely converted to mechanical production with the company's launch, and its coal stoves were replaced with modern electric kilns.  The initial product offering of planters, tubs, pots, and simple vases was soon expanded to include more decorative items.  Hans Kraemer joined the firm in 1952 as a senior modeler.  He produced all of the shapes for ES KERAMIK  until 1968, at the remarkable rate of 15-20 designs per year.  The art department was led by Willi Hack from 1954 until the firm's 1974 close.  By the second half of the '50s, as many as 18 female painters were employed, among them numerous alumnae of the local glassmaking school.  The total workforce topped out at 70 employees.

Sales of ES KERAMIK’s decorative wares were carried out through trade fairs and by territorial representatives.  Brochures were never printed, and the company never advertised.  The composition of its repertoire was determined solely by feedback from the reps and the current order situation.  Successful ES KERAMIK molds and décors would remain in production as long as demand held.  The quality of shapes and decorations varied broadly, but the good items were quite good; one of the best is Kraemer's pitcher-form 683, later released as shape number 883.

After the death of Josef Emons senior in 1964, management of ES KERAMIK passed to his sons.  The firm's 50th anniversary was celebrated in 1971, and the factory closed its doors three years later.  Some technical equipment had previously been sold off to Ruscha Keramik; but the company itself, its premises and the balance of the equipment—as well as the majority of the workforce—were taken over by the senior Emons' former partner, Jean Fuss, and absorbed by neighboring Marei Keramik.

Design Period – 1965-1974

Country of Origin – WEST GERMANY

Maker – ES KERAMIK

Attribution – MARKED

Materials – CERAMIC

Condition – VERY GOOD (no defects; may show slight traces of use)

Height (cm) – 12.5

Width (cm) – 10.0

Depth (cm) – 10.0

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SKU: 6802971490

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Tom P
Cuba, US
★★★★★ 3
Not bad, but...
Format: Kindle
I read to 33% (my percentage point to determine if I will stick it out, unless it's terrible of course) and can say with authority that this book is ok, but not for me. There are some points that I think are worth mentioning. It is specifically mentioned that the MC has a generously proportioned bust, and that she is not wearing a sports bra. And yet her generous chest causes no difficulty in athletic action. Don't get me wrong, busty women can be very athletic, but they wear sports bras while being athletic. How do I know this as a man, simple. Generously, and not so generously, proportioned women have told me that this is important. Second: At33% she is still in the middle of her 'test', so it's a slow moving book. Third: The system interface goes from being indifferent to the MC to being willing to bend/break the the rules to aid her. Honestly, I prefer the indifferent one. It takes more than a little spunk to flip that switch. In conclusion, not for me, some significant problems, but I could see some people enjoying this. Tom out
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Reviewed in the United States on November 8, 2022
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Chelsea, US
★★★★★ 5
A new style LitRPG for me
Format: Kindle
I really like Emma. The attraction that is in this series so far seems blessedly not limited by gender. This starts out like a few other same genre series I've read. It is unique though in how it kicks off. The AI sidekicks do seem suspicious, but also motivated to help their charge progress. Now, if only I could travel, and survive, to a dimension or universe that changed my hair to stay the color I like that would be perfect. Fun series, well written with both mystery and challenge.
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Reviewed in the United States on January 16, 2023
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★★★★★ 5
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This was a great quick sapphic read! Not too dark so if you are new to dark romance or not sure about it then this is definitely a book worth reading! I liked the fierce authenticity of Remy. She was protective and loyal (mostly iykyk) Fauna was so sweet and kind. They had some palpable chemistry! And there’s kittens! ;)
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★★★★★ 3
surprised
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